1
00:00:11,594 --> 00:00:14,389
I THINK MALDONADO IS SUITABLE FOR US
TO DELIVER TO CHEMA VENEGAS.
2
00:00:14,472 --> 00:00:17,350
YOU HAVE THE MONEY, THE BUSINESS,
THE CONTACT, THE SILVER.
3
00:00:17,434 --> 00:00:19,728
- LET ME GO NOW, RIGHT?
- I ALWAYS WANT MORE.
4
00:00:19,811 --> 00:00:22,397
[Joaquín]AND NOW IN MY HEAD
I HAVE THAT MANTECO FUCKING YOU,
5
00:00:22,480 --> 00:00:23,565
I SWEAR TO GOD!
6
00:00:23,648 --> 00:00:24,733
I'M GOING TO KILL HIM!
7
00:00:25,734 --> 00:00:28,111
MY CHILDREN ARE LOST!
THAT'S WHAT'S IMPORTANT RIGHT NOW, OKAY?
8
00:00:28,194 --> 00:00:29,654
ISMA, CHECK THE SECURITY CAMERAS.
9
00:00:29,738 --> 00:00:30,655
[Ismael] SIMON, UNCLE.
10
00:00:30,739 --> 00:00:35,160
POS I DON'T KNOW IF WE ARE DOING THE RIGHT THING.
BUT THE BEST FOR THE PEOPLE.
11
00:00:35,243 --> 00:00:37,996
I BRING YOU YOUR ORDER.
WHERE SHOULD I TAKE IT TO YOU?
12
00:00:38,705 --> 00:00:40,999
NOW I SEND YOU MY PEOPLE TO PICK IT UP.
13
00:00:41,791 --> 00:00:42,959
[Luzma] DO YOU REALLY BELIEVE,
14
00:00:43,042 --> 00:00:45,128
THAT GRANDMA WAS LEAVING
TO LET YOU DRIVE?
15
00:00:45,211 --> 00:00:46,421
YOU KNEW SOMETHING, RIGHT?
16
00:00:46,504 --> 00:00:48,798
THAT? TO YOU, YOUR SON IS WORTHY MOTHERS.
17
00:00:49,340 --> 00:00:50,550
HEY, HEY, VITA... VITA...
18
00:00:54,179 --> 00:00:56,056
IF I FIND OUT
THAT YOU KNEW SOMETHING ELSE,
19
00:00:56,139 --> 00:00:57,932
MARINA LIGHT, YOU ARE NOT GOING TO FINISH IT.
20
00:00:58,433 --> 00:01:00,101
- [Ismael] OH...!
- YES, YES, YES.
21
00:01:00,185 --> 00:01:02,437
STILL BELIEVE IT WAS THE COLOMBIANS
22
00:01:02,520 --> 00:01:04,898
WHO TOOK HER, NO, NOT MOTHERS!
23
00:01:05,148 --> 00:01:07,650
[Luzma] GRANDMOTHER LEFT BECAUSE
I WAS FED UP ABOUT ALL OF THIS
24
00:01:07,734 --> 00:01:09,027
AND HE SAID IT MORE THAN ONCE.
25
00:01:09,402 --> 00:01:11,071
IT WAS ALREADY, LUZMA, IT WAS ALREADY.
26
00:01:11,654 --> 00:01:12,489
[Beloved] RUTI...
27
00:01:13,156 --> 00:01:14,574
[sobs]
28
00:01:14,657 --> 00:01:15,825
LUZMA IS RIGHT.
29
00:01:17,619 --> 00:01:19,412
US WITH TREMENDOUS THREAT ABOVE
30
00:01:19,496 --> 00:01:21,414
AND MY GRANDMA THINKING
WHAT CAN COME OUT OF THIS...
31
00:01:21,623 --> 00:01:23,583
...FUCK WORLD PLAYING
HIDDEN.
32
00:01:23,666 --> 00:01:27,253
NO, NO, NO! MY GRANDMOTHER
HE IS NOT PLAYING ANYTHING.
33
00:01:28,171 --> 00:01:29,005
[sobs]
34
00:01:29,506 --> 00:01:32,467
[sad music]
35
00:01:32,926 --> 00:01:34,010
WHAT ARE WE GOING TO DO?
36
00:01:35,011 --> 00:01:40,016
[suspense music]
37
00:01:40,391 --> 00:01:41,392
COMMANDER.
38
00:01:42,185 --> 00:01:44,813
HOW ARE WE GOING? WHAT HAPPENED TO THE MAN
39
00:01:44,896 --> 00:01:47,732
WHAT WE NEED INFILTRATED
IN THE SECURITY SECRETARY?
40
00:01:48,566 --> 00:01:50,360
DID YOU FIND OUT HOW TO PRESS IT?
41
00:01:50,777 --> 00:01:53,446
WELL, IN ADDITION, TO THE DRINK
AND THE EXPENSIVE MEZCALES,
42
00:01:53,696 --> 00:01:55,115
- WE ALSO FOUND THIS...
- [Valdés] LET'S SEE.
43
00:01:55,949 --> 00:01:58,451
[suspense music]
44
00:01:58,993 --> 00:02:00,328
I CONGRATULATE YOU, COMPANION.
45
00:02:00,662 --> 00:02:02,664
THIS INFORMATION ABOUT YOUR FAMILY
46
00:02:02,747 --> 00:02:04,040
WORTH GOLD!
47
00:02:05,083 --> 00:02:06,709
WE CANNOT FORGET THAT THE NEW GOVERNMENT
48
00:02:06,793 --> 00:02:09,379
HAS MADE RADICAL CHANGES
IN MATTERS OF SECURITY.
49
00:02:09,462 --> 00:02:11,506
AND IT IS URGENT TO PENETRATE THAT STRUCTURE.
50
00:02:11,589 --> 00:02:12,423
- CAN I EXPLAIN?
- YEAH.
51
00:02:13,049 --> 00:02:15,635
CONTINUE INVESTIGATING THE MAN.
ANY INFORMATION IS IMPORTANT.
52
00:02:15,718 --> 00:02:16,803
OF COURSE, MY COMMANDER.
53
00:02:17,262 --> 00:02:18,930
BECAUSE OF THE POSITION HE Occupies ALFARO
54
00:02:19,597 --> 00:02:23,059
YOU HAVE ACCESS TO MEETINGS
HIGH LEVEL WITH THE DEA AND THE NAVY,
55
00:02:23,351 --> 00:02:25,728
A VITAL PIECE FOR THE INTERESTS
OF THE REVOLUTION.
56
00:02:27,313 --> 00:02:28,982
AND FIDENCIO? WHEN DOES IT ARRIVE?
57
00:02:29,607 --> 00:02:31,901
WELL, HE'S IN CHARGE
FROM THE JOURNALIST ESA.
58
00:02:32,443 --> 00:02:34,279
THAT'S AN IMPORTANT ISSUE TOO.
59
00:02:34,779 --> 00:02:36,406
BUT WHEN I'M DONE WITH THAT,
LET IT TAKE CARE OF THIS.
60
00:02:36,489 --> 00:02:38,575
- AND THAT'S NOW. CAN I EXPLAIN?
- [informant] OKAY. ALRIGHT.
61
00:02:38,658 --> 00:02:39,742
[suspense music]
62
00:02:42,453 --> 00:02:43,746
[Rita] OH GOD!
63
00:02:45,957 --> 00:02:48,084
[Rita] I'M NOT FINISHED
TO PREPARE THE FOOD.
64
00:02:48,501 --> 00:02:49,878
THERE IS NO TIME FOR THAT.
65
00:02:51,129 --> 00:02:53,840
- LISTEN TO ME WELL, RITA. CHANGE OF PLANS.
- [Rita] WHAT?
66
00:02:53,923 --> 00:02:56,551
WE HAVE TO GET OUT OF HERE
TO MEXICO CITY.
67
00:02:56,634 --> 00:02:58,803
BUT WHY, IF WE JUST ARRIVED?
68
00:02:59,053 --> 00:03:01,014
IN ADDITION, THE NEW GOVERNMENT SAYS THAT,
69
00:03:01,097 --> 00:03:03,558
WHAT CAN GIVE SOME PERMISSIONS
TEMPORARY TO IMMIGRANTS,
70
00:03:03,641 --> 00:03:06,436
[Rita] AND WE CAN PROCESS THAT SHEATH
FROM HERE WITHOUT PROBLEMS.
71
00:03:06,728 --> 00:03:09,188
OH, DON'T YOU THINK? I SAY, BECAUSE...
72
00:03:10,273 --> 00:03:12,734
THERE IS SOMETHING I NEED
COOPERATE WITH ME.
73
00:03:14,193 --> 00:03:17,196
IN WHAT? WHAT DID THEY SEND YOU
WHAT TO DO CUBANS?
74
00:03:18,072 --> 00:03:18,907
[exhales]
75
00:03:18,990 --> 00:03:22,160
SO THAT WE ARE UNDERSTANDING OURSELVES
YOU AND ME AT ONCE, OKAY?
76
00:03:22,243 --> 00:03:25,830
I DON'T WANT ANYTHING TO SEE
WITH THE PEOPLE WHO ARE PAYING YOU.
77
00:03:25,914 --> 00:03:28,249
NOTHING TO SEE. I DON'T WANT TO KNOW
THEIRS AGAIN.
78
00:03:28,458 --> 00:03:31,878
YOU HAVE EXPERIENCE IN THE ORGANIZATION
OF THE COMMUNAL COUNCIL.
79
00:03:32,587 --> 00:03:33,880
[Fidencio] I ASSURE YOU THAT
WITH THE CONTACTS
80
00:03:33,963 --> 00:03:35,965
WHAT THOSE PEOPLE HAVE
WITH THE GOVERNMENT HERE,
81
00:03:36,049 --> 00:03:39,135
WE CAN GET YOU
A LITTLE JOB, LEGAL PAPERS.
82
00:03:39,844 --> 00:03:41,512
ALSO, I'M SAVING YOU.
83
00:03:41,596 --> 00:03:43,473
AND YOU ARE CHARGING ME FOR IT, HUM?
84
00:03:44,557 --> 00:03:47,143
I ALREADY LOST A SON.
WHAT ELSE DO I HAVE TO GIVE?
85
00:03:47,477 --> 00:03:50,730
I LEFT VENEZUELA
FLEEING, PRECISELY, FROM THAT.
86
00:03:50,813 --> 00:03:53,733
YOU HAVE TO WATCH
FOR THE SON YOU STILL HAVE.
87
00:03:55,109 --> 00:03:56,486
ARE YOU THREATENING ME?
88
00:03:56,986 --> 00:03:57,820
[snap]
89
00:03:58,238 --> 00:04:01,074
WOULD YOU BE SUCH A MOTHER'S PUSSY
OF THREATENING ME WITH MY SON?
90
00:04:01,449 --> 00:04:03,159
I'M TELLING YOU
DON'T MAKE HIM RUN
91
00:04:03,243 --> 00:04:04,869
AN UNNECESSARY RISK.
92
00:04:06,204 --> 00:04:07,038
NOT FOR ME.
93
00:04:07,538 --> 00:04:09,207
BY WHOM THEN? HUM?
94
00:04:09,707 --> 00:04:11,000
WHO THE FUCK WANTS TO KILL ME,
95
00:04:11,084 --> 00:04:12,460
WHO THE FUCK WANTS TO KILL MY SON?
96
00:04:12,543 --> 00:04:15,255
DO YOU REALIZE? YOU ARE ALREADY
TALKING TOO MUCH.
97
00:04:15,922 --> 00:04:17,382
I DON'T UNDERSTAND.
98
00:04:17,465 --> 00:04:18,841
[knock on the door]
99
00:04:18,967 --> 00:04:21,219
[suspense music]
100
00:04:21,302 --> 00:04:22,428
[knock on the door]
101
00:04:25,723 --> 00:04:27,058
[they continue playing]
102
00:04:28,518 --> 00:04:29,394
WHO IS IT?
103
00:04:29,560 --> 00:04:31,729
[marine] THE MEXICAN NAVY.
OPEN THE DOOR.
104
00:04:32,397 --> 00:04:34,732
[suspense music]
105
00:04:35,108 --> 00:04:36,401
WHAT IS OFFERED TO YOU?
106
00:04:36,484 --> 00:04:38,236
[marine] DON'T WORRY,
WE JUST WANT TO KNOW
107
00:04:38,319 --> 00:04:40,321
IF YOU ARE MISS RITA PEÑA.
108
00:04:40,446 --> 00:04:43,116
IT IS ROUTINE FOLLOW-UP. OPEN THE DOOR.
109
00:04:44,826 --> 00:04:50,123
[suspense music]
110
00:04:51,791 --> 00:04:53,167
I AM RITA PEÑA.
111
00:04:53,501 --> 00:04:56,129
[marino]DO YOU HAVE A DOCUMENT
WHAT I IDENTIFY HER?
112
00:04:56,212 --> 00:04:59,090
YES, YES, YES. OF COURSE.
OF COURSE.
113
00:05:00,258 --> 00:05:04,178
[suspense music]
114
00:05:06,139 --> 00:05:10,351
[gasps]
115
00:05:13,229 --> 00:05:14,063
[Rita] EH...
116
00:05:14,731 --> 00:05:16,316
[sound of footsteps]
117
00:05:17,025 --> 00:05:19,444
[dramatic music]
118
00:05:21,320 --> 00:05:22,363
HERE YOU GO.
119
00:05:24,907 --> 00:05:26,951
EH... SHOULD I OFFER YOU SOMETHING?
120
00:05:27,452 --> 00:05:29,620
[Rita] WATER, COFFEE?
121
00:05:31,122 --> 00:05:32,081
[Rita] DO YOU WANT SOMETHING?
122
00:05:34,167 --> 00:05:36,294
[dramatic music]
123
00:05:40,339 --> 00:05:41,174
[exhales]
124
00:05:41,257 --> 00:05:43,634
[Rutila] I COULD NOT CONTAIN MYSELF,
BUT THE LIGHT IS
125
00:05:43,718 --> 00:05:46,137
YOU HAVE TO LEARN TO RESPECT,
IT'S A HOCICONA.
126
00:05:47,638 --> 00:05:48,473
[sigh]
127
00:05:48,556 --> 00:05:50,975
LOOK, MONA, I KNOW THAT LUZMA
HE HAS HIS GENIUS,
128
00:05:51,350 --> 00:05:52,769
BUT YOU TOO.
129
00:05:53,227 --> 00:05:55,021
[Javier] JUST TRY TO UNDERSTAND HER.
130
00:05:55,354 --> 00:05:57,106
I DON'T KNOW, MAYBE, THE ABSENCE OF YOUR DAD
131
00:05:57,190 --> 00:05:58,733
THIS IS WHAT HAS HER LIKE THIS,
132
00:05:58,816 --> 00:05:59,901
BEHAVIOR LIKE THIS.
133
00:05:59,984 --> 00:06:02,487
THESE ARE THINGS THAT I WONDER NOW
WITH WHAT ABOUT ANGELA.
134
00:06:04,363 --> 00:06:06,157
I DON'T KNOW IF MY ABSENCE...
135
00:06:06,699 --> 00:06:09,452
...INFLUENCE YOUR BEHAVIOR
AND IT IS HARMING HER.
136
00:06:10,870 --> 00:06:12,830
SOMETIMES IT'S BETTER TO GROW UP WITHOUT DAD.
137
00:06:14,624 --> 00:06:15,917
LOOK, THE SAME LEO.
138
00:06:16,501 --> 00:06:18,586
HE PREFERS TO BE WITH US
WHAT WITH THE CHEMA.
139
00:06:20,046 --> 00:06:22,298
I DID WELL TO KEEP BETITO AWAY FROM HIM.
140
00:06:23,257 --> 00:06:27,303
[melancholic music]
141
00:06:28,805 --> 00:06:30,389
COULD MY GRANDMOTHER
YOU ARE DOING THE RIGHT THING
142
00:06:30,473 --> 00:06:31,682
IN TAKING THE CHILDREN?
143
00:06:32,308 --> 00:06:34,352
THAT'S SOMETHING YOU
YOU WILL BE DISCOVERING
144
00:06:34,435 --> 00:06:35,645
IN TIME, MONA.
145
00:06:35,728 --> 00:06:37,730
AND WITH ALL RESPECT I TELL YOU,
146
00:06:38,689 --> 00:06:40,775
I FEEL THAT DOÑA ALBA KNOWS WHAT SHE IS DOING.
147
00:06:42,443 --> 00:06:44,112
THE SAME, WE ARE GOING TO FIND HER...
148
00:06:44,612 --> 00:06:45,780
...I PROMISE
149
00:06:46,531 --> 00:06:49,450
SO I HAVE TO REMOVE THE ENTIRE PLANET...
150
00:06:49,784 --> 00:06:51,119
...WE ARE GOING TO FIND HER.
151
00:06:52,078 --> 00:06:56,249
[melancholic music]
152
00:06:56,332 --> 00:06:57,416
[sobs]
153
00:06:59,794 --> 00:07:00,628
[El Pulque] GÜERA...
154
00:07:01,796 --> 00:07:04,215
...THE ONLY THING THAT WORRIES ME
IT IS FOR THEM TO FOLLOW US.
155
00:07:04,590 --> 00:07:05,424
YES...
156
00:07:05,591 --> 00:07:08,344
MY MOM DIDN'T TELL US
THAT WE WERE GOING ON A TRIP.
157
00:07:08,427 --> 00:07:09,971
WHERE ARE WE GOING?
158
00:07:10,054 --> 00:07:12,473
LET'S GO... LET'S GO TO THE RANCH
THE ONE THEY LIKED SO MUCH,
159
00:07:12,557 --> 00:07:13,391
DO YOU REMEMBER?
160
00:07:13,474 --> 00:07:17,603
AND... AND THEY ARE GOING TO HAVE NEW TEACHERS
AND A POOL...
161
00:07:17,687 --> 00:07:18,563
YES.
162
00:07:18,729 --> 00:07:21,524
[Isabel] AND HORSES.
IT'S GOING TO BE WELL FATHER. THEY'RE GOING TO SEE.
163
00:07:21,649 --> 00:07:25,027
[melancholic music]
164
00:07:27,572 --> 00:07:28,448
[sob]
165
00:07:33,786 --> 00:07:36,247
WHAT WAS THERE? ARE YOU OK?
166
00:07:36,664 --> 00:07:38,207
NO, RED. I'M NOT WELL.
167
00:07:40,918 --> 00:07:42,170
I UNDERSTAND RUTILA.
168
00:07:45,006 --> 00:07:46,048
LOOK, MORRA.
169
00:07:47,258 --> 00:07:49,343
THEY PUT ME TO JAIL FOR SEVERAL YEARS.
170
00:07:49,969 --> 00:07:51,804
[Red] I COULD ME
HAVE EASILY WITHDRAWN
171
00:07:51,888 --> 00:07:52,722
[snort]
172
00:07:52,930 --> 00:07:54,056
AND JUST SEE ME.
173
00:07:56,976 --> 00:07:58,019
DO YOU WANT REVENGE?
174
00:07:58,561 --> 00:07:59,395
LIKE ME.
175
00:07:59,979 --> 00:08:02,148
[melancholic music]
176
00:08:02,690 --> 00:08:04,317
HERE WE ARE GOING TO TALK A FART AND RIGHT NOW.
177
00:08:05,610 --> 00:08:07,069
WHAT HAPPENED BETWEEN US, WHAT?
178
00:08:07,653 --> 00:08:09,906
IS THIS WHY, IS IT BECAUSE
WERE YOU GOING TO ASK ME FOR THIS?
179
00:08:10,364 --> 00:08:11,199
[in Greek] NO...
180
00:08:11,449 --> 00:08:14,076
[in Spanish] I AM NOT USING YOU.
IF THAT'S WHAT YOU'RE CONCERNED ABOUT.
181
00:08:15,328 --> 00:08:18,456
[suspense music]
182
00:08:21,167 --> 00:08:22,919
[sobs]
183
00:08:27,840 --> 00:08:28,758
QUIET.
184
00:08:30,176 --> 00:08:31,928
- [gasp]
- STAY CALM.
185
00:08:33,512 --> 00:08:34,847
I HAD TO DO IT.
186
00:08:36,140 --> 00:08:37,725
WHY DO YOU THINK I CAME TO LOOK FOR YOU?
187
00:08:39,977 --> 00:08:42,021
THEY SENT THOSE PEOPLE TO KILL YOU.
188
00:08:43,731 --> 00:08:47,401
[sobs]
189
00:08:49,111 --> 00:08:50,863
LOOK FOR THE CHAMO AND LET'S GO.
190
00:08:50,947 --> 00:08:54,116
[dramatic music]
191
00:08:56,285 --> 00:08:58,621
[sobs]
192
00:09:02,041 --> 00:09:03,960
IT IS REGRETTABLE
WHAT HE'S TELLING ME.
193
00:09:04,502 --> 00:09:07,672
I LOVE BERENICE WITH ALL MY HEART,
WITH ALL MY SOUL.
194
00:09:07,838 --> 00:09:09,382
I ADMIRE YOU VERY MUCH.
195
00:09:10,007 --> 00:09:12,385
FOR ME IT IS AN EXAMPLE TO FOLLOW.
WHAT YOU ARE DOING
196
00:09:12,552 --> 00:09:14,387
WITH THE GOVERNMENT, FROM HER HUSBAND,
197
00:09:15,555 --> 00:09:17,265
REALLY, I THINK IT IS ADMIRABLE.
198
00:09:17,348 --> 00:09:20,726
MAY BE SETTING THE EXAMPLE
THROUGH HIS OWN DAUGHTER...
199
00:09:20,810 --> 00:09:25,022
YES, WELL, THAT SOUNDS EVERYTHING
VERY NICE, YES? BUT...
200
00:09:25,690 --> 00:09:28,985
ARE YOU GOING TO HAVE THE CHANCE TO DENY ME
THAT YOU WERE WITH THOSE COLOMBIANS,
201
00:09:29,318 --> 00:09:31,153
WITH MY HUSBAND'S KILLER?
202
00:09:31,445 --> 00:09:32,280
ESTHER...
203
00:09:33,281 --> 00:09:34,156
I DIDN'T KNOW...
204
00:09:34,782 --> 00:09:38,619
I DIDN'T KNOW, PEOPLE DON'T COME WITH ONE,
PRESENTING HIMSELF AS A MURDERER,
205
00:09:38,703 --> 00:09:40,371
NO... THEY DIDN'T COME WITH ME
AND THEY TOLD ME, HELLO,
206
00:09:40,454 --> 00:09:42,415
I... I KILLED THE GOVERNOR OF COAHUILA.
207
00:09:43,165 --> 00:09:45,167
LOOK, THE TRUTH IS THAT
IT'S GETTING TOO LATE FOR ME
208
00:09:45,251 --> 00:09:46,877
FOR THE INTERVIEW AND I HAVE TO GO NOW.
209
00:09:46,961 --> 00:09:48,671
ESTHER, YOU CAN'T LEAVE ME LIKE THIS.
210
00:09:49,005 --> 00:09:50,798
REALLY, YOU CAN'T LEAVE ME LIKE THIS.
ESTHER, PLEASE,
211
00:09:50,881 --> 00:09:53,134
JUST GIVE ME THREE DAYS. YEAH? THREE DAYS,
212
00:09:53,593 --> 00:09:57,722
THREE DAYS AND I WILL CHECK YOU
THAT EVERYTHING IS CLEAN. I SWEAR.
213
00:09:58,222 --> 00:10:00,850
YEAH? THREE DAYS, PLEASE,
DON'T TAKE YOUR SUPPORT FROM ME, ESTHER...
214
00:10:01,392 --> 00:10:02,268
...PLEASE.
215
00:10:02,810 --> 00:10:04,812
[dramatic music]
216
00:10:05,187 --> 00:10:06,272
OH SHIT...
217
00:10:06,397 --> 00:10:07,898
[steps moving away]
218
00:10:08,983 --> 00:10:09,900
EVERYTHING, GOOD?
219
00:10:10,776 --> 00:10:13,613
NO, NO, ALL WRONG, LOVE, ALL WRONG.
220
00:10:13,738 --> 00:10:16,574
I NEED YOU TO TELL ME WHAT YOU TALKED ABOUT
WITH YOUR MOM, YES? ALL.
221
00:10:17,575 --> 00:10:18,451
I HAVE TO GO.
222
00:10:19,452 --> 00:10:20,620
I... I'M GOING WITH YOU.
223
00:10:20,703 --> 00:10:23,664
NO, LOVE. STAY HERE.
YEAH? REALLY. THANK YOU.
224
00:10:24,624 --> 00:10:25,791
[Beloved]DID YOU SPEAK WITH BERENICE?
225
00:10:26,167 --> 00:10:27,001
[Diana]YES.
226
00:10:27,710 --> 00:10:30,504
HE TOLD ME THAT MY 'LOVE CAME FOR AN INTERVIEW
AND TO MEET WITH CASTILLO
227
00:10:30,588 --> 00:10:33,215
AND THE... AND THE COMMISSIONER
THIS ANTI-DRUGS, EL GRINGO.
228
00:10:33,966 --> 00:10:36,218
WE NEED CORINA INSIDE THE AGENCY
229
00:10:36,385 --> 00:10:37,595
TO KNOW WHAT THEY ARE GOING TO DO.
230
00:10:38,888 --> 00:10:39,972
WHAT ARE YOU THINKING?
231
00:10:40,640 --> 00:10:42,516
WORK WITH THE DEA, WITH THE CIA,
232
00:10:43,559 --> 00:10:45,061
WE HAVE TO STOP THESE PEOPLE.
233
00:10:45,353 --> 00:10:49,148
[dramatic music]
234
00:10:51,567 --> 00:10:53,069
CORINA, I AM LOVED.
235
00:10:53,402 --> 00:10:54,236
WHAT WAS THERE, BELOVED?
236
00:10:54,695 --> 00:10:55,780
HAVE YOU KNOWN ANYTHING?
237
00:10:56,238 --> 00:10:58,115
WELL, JUST WHAT I TALKED ABOUT WITH GUILLERMO,
238
00:10:58,824 --> 00:11:01,661
THE BOAT WITH THE FENTANYL WAS LOST
IN INTERNATIONAL WATERS.
239
00:11:02,745 --> 00:11:04,080
CONTACT ME WITH GRAINS.
240
00:11:04,705 --> 00:11:05,539
AND OJEDA?
241
00:11:05,915 --> 00:11:07,792
JUST, I'M IN THAT.
RIGHT NOW I CAN'T SPEAK,
242
00:11:07,875 --> 00:11:08,834
I'LL TALK TO YOU LATER, OKAY?
243
00:11:09,919 --> 00:11:13,839
[dramatic music]
244
00:11:14,673 --> 00:11:16,175
HAVE YOU HURT YOUR KNEE?
245
00:11:18,719 --> 00:11:20,388
YES, I JUST HAD OPERATION.
246
00:11:21,013 --> 00:11:22,973
I'M JUST GETTING BACK TO THE ROUTINE.
247
00:11:23,599 --> 00:11:25,226
ARE YOU ALREADY TAKING THERAPY OR SOMETHING?
248
00:11:25,684 --> 00:11:28,187
NO, IT IS NOT NECESSARY.
I THINK IT'S A MATTER OF TIME.
249
00:11:28,938 --> 00:11:29,772
SEE YOU.
250
00:11:30,189 --> 00:11:33,567
[dramatic music]
251
00:11:34,735 --> 00:11:35,778
COME ON, MOVE.
252
00:11:35,861 --> 00:11:36,987
[Rita] WHAT? BUT...
253
00:11:37,071 --> 00:11:38,697
HELP ME TAKE OFF THEIR UNIFORMS.
254
00:11:38,781 --> 00:11:40,699
WHY DO YOU HAVE HIM
THAN REMOVE CLOTHES, WHY?
255
00:11:40,783 --> 00:11:42,451
LET'S SEE, BECAUSE I DON'T WANT, TO FIRST...
256
00:11:42,827 --> 00:11:44,328
...WHEN THEY FIND THEM THEY REALIZE
257
00:11:44,412 --> 00:11:47,581
- THEY ARE NAVY MATTERS.
- [Rita] DOES THE NAVY WANT TO KILL ME?
258
00:11:48,332 --> 00:11:50,042
THERE IS A LOT OF GARBAGE IN THE GOVERNMENT TOO.
259
00:11:50,126 --> 00:11:51,627
GO, GO! THE PAPERS...
260
00:11:51,710 --> 00:11:53,212
REMOVE ANY IDENTIFICATION FROM THEM. COME ON.
261
00:11:53,295 --> 00:11:54,130
[Wang] GOOD.
262
00:11:55,172 --> 00:11:57,675
THE BOAT CONTINUES ITS COURSE
TO PANAMA AS YOU ORDERED.
263
00:11:58,259 --> 00:12:01,178
I SUGGEST THAT INSTEAD
IF YOU OPERATE THERE, YOU GO TO CANCUN.
264
00:12:01,262 --> 00:12:02,888
THIS IS WHAT WE ALREADY HAVE IN MEXICAN TERRITORY.
265
00:12:02,972 --> 00:12:03,806
PERFECT.
266
00:12:04,807 --> 00:12:05,933
ANYTHING ELSE PENDING?
267
00:12:06,016 --> 00:12:08,477
YES... VALDIVIA IS WAITING FOR YOU
WITH YOUR LAWYER.
268
00:12:09,478 --> 00:12:10,312
COME ON.
269
00:12:10,479 --> 00:12:14,191
[suspense music]
270
00:12:17,653 --> 00:12:18,863
[in Italian] GENTLEMEN.
271
00:12:20,156 --> 00:12:23,492
[in Spanish] I'M SORRY TO TELL YOU
MADE TO WAIT. A THOUSAND APOLOGIES.
272
00:12:23,617 --> 00:12:26,787
[Tweet] OH, DON'T WORRY, MR. VOLPI!
273
00:12:27,746 --> 00:12:30,291
I TOOK THE FREEDOM
TO INVITE TO THIS MEETING
274
00:12:30,374 --> 00:12:32,543
TO DOCTOR JOAQUÍN ESTRELLA
275
00:12:33,002 --> 00:12:34,587
[Tweet] EXPERT IN LEGAL ISSUES
276
00:12:34,670 --> 00:12:38,090
AND, WELL, I SAID... ARE YOU LEAVING
LET'S STAY, THINK ABOUT SETTLEMENT
277
00:12:38,174 --> 00:12:40,593
A WHILE HERE IN MEXICO?
AND WHAT'S BETTER THAN THE MAN WHO...
278
00:12:40,676 --> 00:12:41,510
[snap]
279
00:12:42,052 --> 00:12:43,095
VERY GOOD...
280
00:12:43,596 --> 00:12:47,558
YOUR LAWYER HAS TO HELP ME
TO LEGALIZE CERTAIN OPERATIONS.
281
00:12:48,100 --> 00:12:49,977
- LORD...
- JOAQUÍN ESTRELLA.
282
00:12:50,060 --> 00:12:51,937
AH, I HOPE IT'S VERY GOOD.
283
00:12:52,021 --> 00:12:54,023
THERE ARE NOT A FEW MILLIONS THAT I AM GOING TO MOVE.
284
00:12:54,106 --> 00:12:55,691
AH, I'M USED TO THE TRUTH.
285
00:12:55,774 --> 00:12:57,985
AND I'M GOING TO GIVE YOU SOME OPTIONS
YOU'RE GOING TO LOVE IT.
286
00:12:58,068 --> 00:13:01,447
EH... NO, THIS MAN IS AN EXPERT
IN THOSE NUTS.
287
00:13:01,530 --> 00:13:03,115
BUT WHY DON'T WE SIT DOWN, HUH?
288
00:13:04,575 --> 00:13:05,576
DO IT, MIJO. DO IT.
289
00:13:05,659 --> 00:13:08,037
[Joaquín] WELL, HERE'S THE QUESTION
IT'S WHAT YOU WANT TO BRING
290
00:13:08,120 --> 00:13:09,955
A VERY IMPORTANT CAPITAL TO THIS COUNTRY,
291
00:13:10,039 --> 00:13:11,790
HOW ARE WE GOING TO DO IT?
WITH DIFFERENT OPTIONS...
292
00:13:11,874 --> 00:13:14,001
AND THE LADY... WHAT'S HER NAME?
293
00:13:14,710 --> 00:13:15,544
WANG.
294
00:13:15,628 --> 00:13:18,088
[seductive music]
295
00:13:18,547 --> 00:13:20,257
"WOW." ONE?
296
00:13:20,341 --> 00:13:22,885
- IT'S NOT WITH W, IT'S ANOTHER THING.
- OH!
297
00:13:23,886 --> 00:13:25,012
[Tweet] FOLLOW, FOLLOW, MIJO.
298
00:13:25,095 --> 00:13:27,056
[Joaquín] WELL, THEN,
YOU ARE GOING TO BRING THAT MONEY
299
00:13:27,139 --> 00:13:29,308
AND THE FISCO IS GOING TO ASK
WHERE THAT SILVER COMES FROM
300
00:13:29,391 --> 00:13:31,810
AND I HAVE MANY OPTIONS FOR YOU
301
00:13:31,894 --> 00:13:33,771
SO THAT THAT MONEY IS LEGAL
TO THIS COUNTRY.
302
00:13:38,359 --> 00:13:41,820
OH NO! OH NO! NO, NO, NO. NO NO!
303
00:13:41,904 --> 00:13:44,573
NO, DON'T SCARE ME. PLEASE,
PLEASE GIVE ME MY SON.
304
00:13:44,657 --> 00:13:46,450
- NOW, PLEASE, YES, NOW, OKAY...
- GIVE ME MY SON...
305
00:13:46,534 --> 00:13:48,452
I UNDERSTAND THAT YOU ARE VERY SCARED,
306
00:13:48,744 --> 00:13:51,080
BUT MORE SCARED YOU'RE GOING TO BE
IF YOU STAY HERE
307
00:13:51,163 --> 00:13:52,957
- AND WE'RE NOT LEAVING IMMEDIATELY.
- [Rita] OKAY, OKAY.
308
00:13:53,374 --> 00:13:55,376
- PLEASE, LET'S GO.
- BUT I WANT TO TAKE MY SON.
309
00:13:55,459 --> 00:13:56,752
I CARRY IT TOO. PLEASE...
310
00:13:56,835 --> 00:13:59,672
- [Fidencio] YOU HAVE TO TRUST ME.
- I TRUST IN YOU, I TRUST IN YOU BUT...
311
00:13:59,755 --> 00:14:01,257
- BUT I WANT TO TAKE MY SON.
- [Fidencio] OKAY...
312
00:14:01,340 --> 00:14:02,591
- PLEASE, PLEASE...
- [Fidencio] IT'S OKAY...
313
00:14:03,217 --> 00:14:04,677
- TRUST ME, OKAY?
- [Rita] YES, YES, YES.
314
00:14:04,760 --> 00:14:05,594
- [Rita] COME, MY LOVE.
- [Fidencio] OKAY
315
00:14:06,262 --> 00:14:11,600
[dramatic music]
316
00:14:15,437 --> 00:14:17,147
AND WHAT DO WE OFFER?
317
00:14:17,231 --> 00:14:20,568
FIRST LEVEL FRONTBOARDS,
FIRST WORLD, AS YOU KNOW,
318
00:14:20,651 --> 00:14:22,236
[Joaquín] SO THAT THEY ARE THERE ALL THE TIME
319
00:14:22,319 --> 00:14:24,572
AVAILABLE BY IF,
SUDDENLY, THE FISCO CALLS,
320
00:14:24,655 --> 00:14:28,367
- THEY... THEY ARE...
- [cell phone rings]
321
00:14:29,535 --> 00:14:30,703
[Tweet] SO WHAT, MIJO?
322
00:14:30,786 --> 00:14:33,122
TELL ME WHAT YOU ALREADY PUT
IN HIS PLACE, HER MOTHER-IN-LAW.
323
00:14:33,205 --> 00:14:36,041
WELL NOTHING, GUY. WHAT YOU NEED
MY MOTHER-IN-LAW SHOW YOU
324
00:14:36,125 --> 00:14:38,168
I HAVE NOTHING TO DO WITH YOU
SO THAT I CAN...
325
00:14:38,252 --> 00:14:40,880
...KEEP SUPPORTING
IN THE POLITICAL CAMPAIGN. HOW DO YOU SEE?
326
00:14:40,963 --> 00:14:43,424
AH, THEN, I COULDN'T TELL HIM ANYTHING ANYMORE
WHY HE HAD TO GO
327
00:14:43,507 --> 00:14:46,302
TO GIVE AN INTERVIEW
WITH CARLITA UZCÁTEGUI.
328
00:14:46,385 --> 00:14:48,470
'MANITO, THAT MOTHER-IN-LAW OF YOURS...
329
00:14:49,221 --> 00:14:52,891
...AND HER DAUGHTER, THE ELDEST, AND EVEN THE YOUNGEST
THEY HAVE ME MAMA'O!
330
00:14:53,475 --> 00:14:56,103
AND YOU ARE NOT BEHAVIOR
LIKE A LITTLE MAN.
331
00:14:56,395 --> 00:14:57,229
IT'S NOT FOR THAT MUCH.
332
00:14:58,230 --> 00:15:01,317
LITTLE BROTHER, YOU WANT EVERYTHING GIFT.
333
00:15:01,609 --> 00:15:04,361
AND THINGS ARE NOT LIKE THIS.
YOU HAVE TO GET YOUR ASS IN!
334
00:15:04,486 --> 00:15:06,822
YOU HAVE TO TALK,
MAKE IT YOURSELF, BROTHER.
335
00:15:06,906 --> 00:15:09,742
I DON'T UNDERSTAND, MIJO.
YOU WERE A PERSON WITH TERAN
336
00:15:09,825 --> 00:15:10,868
AND WITH ME...
337
00:15:10,951 --> 00:15:13,495
NOT WITH ME... HE DOESN'T BEHAVE WELL
338
00:15:13,579 --> 00:15:16,498
MY... LOOK, YOU KNOW WHAT? BETTER, CAPE,
339
00:15:16,582 --> 00:15:18,167
TELL ME WHAT YOU WANT FROM ME.
340
00:15:18,500 --> 00:15:19,668
SIMPLE, MYJO...
341
00:15:20,502 --> 00:15:22,171
...KILL YOUR MOTHER-IN-LAW.
342
00:15:22,713 --> 00:15:24,173
THAT WHAT YOU FUCK WITH...
343
00:15:24,256 --> 00:15:26,800
...I DON'T THINK THAT'S ASKING TOO MUCH.
344
00:15:26,884 --> 00:15:30,220
[dramatic music]
345
00:15:41,273 --> 00:15:44,443
♪ THE ONE WHO BROUGHT THE POSTERS ♪
346
00:15:45,194 --> 00:15:48,405
♪ WAS CALLED THE LORD OF HEAVENS ♪
347
00:15:49,031 --> 00:15:52,284
♪ WHO SOWED BEFORE LEAVING SEEDS ♪
348
00:15:52,952 --> 00:15:56,163
♪ THAT FLOWER, CALLED BOXES ♪
349
00:15:56,580 --> 00:16:00,000
♪ THE POINT-BLANK KILLING ♪
350
00:16:00,626 --> 00:16:03,796
♪ IT HAS ARRIVED TO EUROPE ♪
351
00:16:04,463 --> 00:16:07,675
♪ WITH WOMEN AND WOMEN MAN ♪
352
00:16:08,342 --> 00:16:11,470
♪ AND EVEN ONE OR OTHER GREEK ♪
353
00:16:12,012 --> 00:16:15,432
♪ THE BOXES ARE A MESS ♪
354
00:16:16,016 --> 00:16:19,269
♪ BUT THEY PUT UP A POSTER THAT ARRESTS THEM ♪
355
00:16:19,895 --> 00:16:23,023
♪ IT WAS AURELIO AND NOW HE IS LOVED ♪
356
00:16:23,691 --> 00:16:28,278
♪ THE HATED LORDS OF THE SKY ♪
357
00:16:32,116 --> 00:16:36,328
THOSE SMOKED PEOPLE HAVE ME MAMA'O,
THESE MAKE ME TIRED...
358
00:16:36,787 --> 00:16:38,080
OLD FARTERS.
359
00:16:38,997 --> 00:16:40,332
THEY DON'T LET ME WORK QUIET.
360
00:16:40,416 --> 00:16:43,836
SINCE I ARRIVED, MIJO,
THEY DON'T LET ME WORK.
361
00:16:43,919 --> 00:16:49,049
AND THAT I KILLED THE DAD TO SEE IF
THEY STAY STILL, BUT NOTHING.
362
00:16:49,299 --> 00:16:52,594
SO... KILL THAT OLD WOMAN, BROTHER!
363
00:16:52,678 --> 00:16:55,931
HOW THE FUCK DID YOU THINK OF
I'M GOING TO KILL MY MOTHER-IN-LAW, YOU BITCH?
364
00:16:56,015 --> 00:17:00,561
JAIMITO... I REMEMBER HIM
I STILL HAVE THE VIDEO
365
00:17:00,644 --> 00:17:05,190
OF MAYRA'S CORPSE
IN CASE YOU LACK MOTIVATION, DAD.
366
00:17:05,274 --> 00:17:07,526
NOW, I KNOW YOU HAVE THAT VIDEO.
367
00:17:07,609 --> 00:17:09,403
NOW, I'M VERY CLEAR, YES?
368
00:17:09,653 --> 00:17:11,238
BUT HOW AM I GOING TO KILL MY MOTHER-IN-LAW? EN...
369
00:17:11,447 --> 00:17:13,949
...IS THE GOVERNOR
OF A STATE, GÜEY.
370
00:17:14,450 --> 00:17:19,538
HUM? MY FUTURE MOTHER-IN-LAW, THE MOTHER
FROM MY FUTURE WIFE. YOU'RE CRAZY?
371
00:17:19,621 --> 00:17:21,665
ASK ME FOR SOMETHING ELSE, CORPORAL, ANYTHING.
372
00:17:21,749 --> 00:17:24,251
WELL, THEN, GIVE ME RUTILA, MIJO.
373
00:17:24,543 --> 00:17:26,587
GIVE IT TO ME! HUM?
374
00:17:26,670 --> 00:17:30,090
THAT I PICK IT AND MAKE IT
SOME GOOD TACOS WITH HER
375
00:17:30,174 --> 00:17:32,593
AND THERE I STAY IN QUINTANA ROO,
IN THAT STATE,
376
00:17:32,676 --> 00:17:34,011
WORKING QUIET
377
00:17:34,136 --> 00:17:35,929
AND EVERYONE WELL,
AND I WON'T FUCK UP AGAIN.
378
00:17:36,013 --> 00:17:40,225
NO, NO, NO. WITH RUTILA...
WITH RUTILA, LET'S SEE,
379
00:17:40,309 --> 00:17:43,062
I HAVE A LOT OF BUSINESS, YES?
SHE IS IN CHARGE OF EVERYTHING
380
00:17:43,145 --> 00:17:45,272
MY REAL ESTATE IN QUINTANA ROO, GÜEY.
381
00:17:45,647 --> 00:17:49,443
I mean, you would spoil me
FOUR YEARS OF PLANS.
382
00:17:49,526 --> 00:17:50,360
SEE, MIJO...
383
00:17:50,652 --> 00:17:52,321
...ONE CANNOT SERVE TWO MASTERS
384
00:17:52,404 --> 00:17:54,907
AT THE SAME TIME. SO, THINK ABOUT IT.
385
00:17:55,491 --> 00:17:58,577
THINK ABOUT IT FROM HERE
FOR US TO MEET,
386
00:17:58,660 --> 00:17:59,703
WHICH WILL BE IN A WHILE.
387
00:17:59,787 --> 00:18:02,706
IMMEDIATELY IT HAPPENS TO ONE
FROM MY BOYS SO I TELL YOU
388
00:18:02,790 --> 00:18:04,416
WHERE ARE WE GOING TO MEET, OKAY.
389
00:18:04,750 --> 00:18:09,421
BUT LITTLE BROTHER, THAT'S WHAT I TELL YOU,
JAIMITO, DON'T BE A FAGGIE ANYMORE.
390
00:18:10,547 --> 00:18:11,548
SAMARIO...
391
00:18:12,049 --> 00:18:15,511
[Evelina]THE TRUTH, I'M NOT INTERESTED IN KNOWING
WHAT YOU FELT WITH MY HUSBAND, HUH?
392
00:18:16,011 --> 00:18:18,764
AND, MUCH LESS, IF YOU GO
TO WANT TO REPEAT AGAIN.
393
00:18:18,889 --> 00:18:20,641
WELL, LOOK, YOU DON'T THINK THAT EITHER
394
00:18:20,724 --> 00:18:23,310
I AM SO NEEDED LIKE THIS
TO TAKE AWAY FROM YOUR HUSBAND.
395
00:18:23,393 --> 00:18:24,686
[Evelina] HUM, WONDERFULLY.
396
00:18:25,187 --> 00:18:27,439
BUT THE ONE WHO IS IS VERY ANGRY...
397
00:18:28,607 --> 00:18:29,691
...IT'S YOURS.
398
00:18:30,150 --> 00:18:32,945
WE HAVE TO KNOW WHAT WE ARE GOING TO DO,
PUT LETTERS ON THE ISSUE.
399
00:18:34,154 --> 00:18:37,616
WELL, I THINK WHAT IS IMPORTANT
IS THAT PIO CAN FULFILL
400
00:18:37,699 --> 00:18:40,327
WITH HIS PROMISE AND LEAVE FOR A WHILE
AS PROMISED
401
00:18:40,577 --> 00:18:43,247
AND, SO, WE CAN GIVE YOU
A CANDY TO MY HUSBAND.
402
00:18:44,581 --> 00:18:47,918
WELL, IF THE CANDY IS ME,
WHO ARE YOU REFERRING TO?
403
00:18:48,001 --> 00:18:51,004
- WELL... THANK YOU.
- LET'S SEE, LET'S TALK CLEARLY.
404
00:18:51,505 --> 00:18:53,465
MAY THERE BE HARMONY AND STABILITY HERE,
405
00:18:53,549 --> 00:18:55,134
WHO DOES IT DEPEND ON? ABOUT US TWO, RIGHT?
406
00:18:55,342 --> 00:18:58,303
SO IF WE ALL COLLABORATE,
407
00:18:58,595 --> 00:19:00,722
WE ARE ALL GOING TO BE VERY HAPPY.
408
00:19:01,849 --> 00:19:03,267
EVERYONE DOES THEIR OWN THING.
409
00:19:04,268 --> 00:19:07,271
I BELIEVE, BY THE SIMPLE FACT
OF WHAT WE HAVE LIVED TWO,
410
00:19:07,354 --> 00:19:09,481
WE ALREADY HAVE COMMON OBJECTIVES.
411
00:19:09,565 --> 00:19:11,650
AND WHAT DO YOU BRING? HUM?
412
00:19:12,276 --> 00:19:13,944
[Red] BECAUSE LIGHT
YOU CAN SEE IT IN YOUR EYES.
413
00:19:14,695 --> 00:19:16,155
ARE YOU GOING TO TELL ME WHAT YOUR REVENGE IS LIKE?
414
00:19:17,322 --> 00:19:19,241
I WANT RENZO VOLPI'S HEAD.
415
00:19:19,992 --> 00:19:21,118
[Athina] HELP ME, RED!
416
00:19:22,244 --> 00:19:23,120
[Diana] HUM.
417
00:19:24,621 --> 00:19:25,455
PERMISSION.
418
00:19:26,331 --> 00:19:28,083
NO, NO, WELL, I JUST CAME TO TELL YOU
419
00:19:28,167 --> 00:19:29,543
THAT IS GOING TO BEGIN
MY 'AMÁ'S INTERVIEW
420
00:19:29,626 --> 00:19:30,961
[Diana] AND THEN MAYBE HE TALKS
OF THE PEOPLE
421
00:19:31,044 --> 00:19:33,505
WHAT WE ARE DEALING WITH
AND WE CAN GET SOME DETAILS.
422
00:19:33,589 --> 00:19:36,800
BUT... SAME, THEY CAN STAY HERE.
NO PROBLEM. I'M LEAVING.
423
00:19:37,301 --> 00:19:38,510
COME ON, MORRA. THANK YOU.
424
00:19:39,428 --> 00:19:42,723
[suspense music]
425
00:19:43,807 --> 00:19:45,684
THANK YOU SO MUCH FOR THIS SPACE, CARLA.
426
00:19:45,767 --> 00:19:47,686
ON THE CONTRARY, MADAME GOVERNOR. THANK YOU.
427
00:19:47,769 --> 00:19:49,938
THEY WILL ONLY GIVE YOU
A SMALL MAKEUP RETOUCH.
428
00:19:50,022 --> 00:19:51,064
FREDDY, PLEASE.
429
00:19:52,900 --> 00:19:54,359
ARE WE ALMOST READY?
430
00:19:54,985 --> 00:19:55,861
[auxiliary] YES.
431
00:19:56,904 --> 00:19:58,030
[auxiliary] YES, FOREWORD.
432
00:19:58,614 --> 00:20:01,158
OH, AND ANY CONCERNS,
THEN YOU CAN CALL ME.
433
00:20:01,241 --> 00:20:03,368
THEY ALREADY HAVE MY PHONE. I WORK 7/24.
434
00:20:03,452 --> 00:20:05,037
WE WILL BE IN CONTACT, LAWYER.
435
00:20:05,120 --> 00:20:07,289
- [Joaquín] OF COURSE YES. WITH GREAT PLEASURE.
- IT HAS A GOOD ELEMENT, EH?
436
00:20:07,414 --> 00:20:10,834
AH, UH...! AND YOU TOO
WITH DOÑA WANG, RIGHT?
437
00:20:11,335 --> 00:20:15,214
WELL THEN I BELIEVE
LET US CELEBRATE THIS GREAT ALLIANCE
438
00:20:15,297 --> 00:20:17,674
AND THIS VERRACA EXCLUSIVITY,
439
00:20:17,758 --> 00:20:21,428
BECAUSE YES, I'M GOING TO SUPPLY IT
DE PERICO, DON VOLPI.
440
00:20:21,511 --> 00:20:23,013
THERE IS ONE THING I WANT TO MAKE CLEAR.
441
00:20:23,096 --> 00:20:23,931
[Tweet] AHA.
442
00:20:24,139 --> 00:20:26,516
NO ONE HAS EXCLUSIVITY FROM ANYONE.
443
00:20:27,059 --> 00:20:29,186
CHEMA IS GOING TO BRING ME SOME GOODS
444
00:20:29,269 --> 00:20:30,854
THAT JUST ARRIVED FROM YOUR COUNTRY.
445
00:20:31,063 --> 00:20:32,898
AND I AM ALSO GOING TO TRADE WITH HIM.
446
00:20:33,106 --> 00:20:35,400
- THE CHEMA?
- [Volpi in Italian] YES, THE BOY.
447
00:20:35,609 --> 00:20:38,487
[dramatic music]
448
00:20:38,695 --> 00:20:39,988
[Tweet] Wow, THERE YES...
449
00:20:40,614 --> 00:20:43,158
...THEY FUCKED UP, MR. VOLPI, BECAUSE...
450
00:20:43,700 --> 00:20:46,119
[Tweet] ...ME WITH THAT SON 'E BITCH
I'M NOT GOING.
451
00:20:46,245 --> 00:20:47,746
AND THAT IS, LET'S SEE, DOÑA WAMPA,
452
00:20:47,829 --> 00:20:49,915
WHY ARE WE GOING TO INCLUDE THIRD PARTIES?
HERE IN THIS?
453
00:20:50,123 --> 00:20:52,501
THE IRRUPTION OF FENTANYL
IN THE WESTERN MARKET
454
00:20:52,584 --> 00:20:54,753
IT'S NOT GOING TO STOP
DUE TO PROBLEMS BETWEEN SIDES.
455
00:20:54,836 --> 00:20:58,173
- NO, YES. WELL, I KNOW THAT...
- [Volpi] DO NOT INTERFERE IN MY BUSINESS,
456
00:20:58,256 --> 00:20:59,299
PLEASE.
457
00:21:00,259 --> 00:21:01,718
AND DON'T MESS WITH MY PEOPLE...
458
00:21:02,302 --> 00:21:03,387
...MR VALDIVIA.
459
00:21:04,888 --> 00:21:06,139
HUM... HUM, HUM.
460
00:21:06,348 --> 00:21:09,059
[dramatic music]
461
00:21:09,142 --> 00:21:10,102
- [Manny] CHEMA.
- [Chema] WHAT WAS THERE?
462
00:21:10,185 --> 00:21:12,104
[Manny] DELIVERY HAS ALREADY BEEN MADE
TO THE PEOPLE OF VOLPI.
463
00:21:12,187 --> 00:21:13,105
[Chema] 'THAT GOOD.
464
00:21:13,272 --> 00:21:15,774
[Chema] WHAT INTERESTS ME
IT'S THAT MOTHER OF THE FENI... FETAL...
465
00:21:15,857 --> 00:21:17,985
- [Bull] FENTANYL, CHEMA.
- [Chema] THAT CHINGADERA THEN.
466
00:21:18,068 --> 00:21:20,320
[Chema] BECAUSE IT SEEMS TO ME
A CINEMA THAT IS FULL OF PEOPLE
467
00:21:20,404 --> 00:21:21,571
IT'S BECAUSE THE MOVIE IS GOOD,
468
00:21:21,655 --> 00:21:23,198
AND JUST THE ASSHOLE
DE AMADO DOESN'T WANT TO SEE HER.
469
00:21:24,032 --> 00:21:25,867
BUT ALSO IN A CINEMA
FULL OF PEOPLE
470
00:21:25,951 --> 00:21:27,869
IT IS VERY DIFFICULT TO GET
GOOD PLACE, CHEMA.
471
00:21:28,245 --> 00:21:29,746
AND THE CORPORAL IS ALSO IN THESE.
472
00:21:29,830 --> 00:21:33,083
AH, BITCH! THEN,
WE OPEN TO THE CHINGADA AT CABO,
473
00:21:33,166 --> 00:21:35,460
PIO OR WHATEVER HE'S CALLED
THAT FUCKING MUSTACHE NOW.
474
00:21:36,545 --> 00:21:38,380
I LIKE BUSINESS
LIKE THE OLD WOMEN...
475
00:21:39,089 --> 00:21:39,965
FOR ME ALONE.
476
00:21:40,757 --> 00:21:43,010
HAS NOT BEEN ACHIEVED
ERADICATE DRUG TRAFFICKING
477
00:21:43,093 --> 00:21:46,221
IN LATIN AMERICA, THEY HAVE BEEN DONE
IMPORTANT ADVANCES, BUT THE TRUTH,
478
00:21:46,304 --> 00:21:49,266
IT CONTINUES TO OPERATE
IN MANY AREAS WITH IMPUNITY, CARLA.
479
00:21:49,474 --> 00:21:52,311
THEN, THIS NARCO,
SIMPLY, HE CHANGED HIS FACE
480
00:21:52,394 --> 00:21:54,271
AND HE CONTINUES OFFENDING IN HIS STATE.
481
00:21:54,354 --> 00:21:55,480
INDEED.
482
00:21:55,981 --> 00:22:00,193
THE SUCH PIO JOSÉ VALDIVIA
IT IS NO OTHER THAN MILTON JIMÉNEZ,
483
00:22:00,736 --> 00:22:02,321
THE KILLER OF MY HUSBAND
484
00:22:02,738 --> 00:22:05,032
AND THE KILLER TOO
FROM SEVERAL POLICE OFFICERS IN MY STATE.
485
00:22:05,949 --> 00:22:08,243
BUT, BELIEVE ME, CARLA
486
00:22:09,036 --> 00:22:10,203
WE WILL FIND IT.
487
00:22:10,954 --> 00:22:13,665
AND I'M GOING TO MAKE SURE
THAT THE FULL WEIGHT OF THE LAW
488
00:22:13,749 --> 00:22:16,168
FALL ON THIS CRIMINAL.
489
00:22:16,918 --> 00:22:18,128
[Esther] SUCH A...
490
00:22:18,211 --> 00:22:21,214
...PÍO JOSÉ VALDIVIA IS NOT ANOTHER
WHAT MILTON JIMÉNEZ.
491
00:22:21,465 --> 00:22:23,592
IS THAT YOUR NEW IDENTITY,
WITH THIS HE ALREADY FELL.
492
00:22:23,675 --> 00:22:25,719
THE LAW IS GOING TO FALL ON US, BROTHER.
WHAT ARE WE GOING TO DO?
493
00:22:25,802 --> 00:22:26,887
[Tweet] HOW TO HAVE IT...
494
00:22:27,304 --> 00:22:28,722
TAKE IT BACK, TAKE IT BACK AND SEE.
495
00:22:29,556 --> 00:22:31,767
HAVE YOU ALREADY WATCHED YOUR MOTHER-IN-LAW'S INTERVIEW?
496
00:22:32,434 --> 00:22:33,560
[Jaime] I'M WATCHING IT RIGHT NOW.
497
00:22:33,643 --> 00:22:36,354
LOOK WHAT HAPPENS FOR NOT PUTTING IT
I STOP THESE THINGS.
498
00:22:36,813 --> 00:22:39,107
THIS IS A DIRECT PROVOCATION, DAD.
499
00:22:39,775 --> 00:22:42,277
SAMARIO... LET'S FINISH
WITH THIS FAGGOT ONCE.
500
00:22:42,360 --> 00:22:44,029
- MAKE HIM SEE!
- DO IT, BROTHER. DO IT.
501
00:22:45,363 --> 00:22:47,783
WELL, THOSE ARE THE STRONG ONE
STATEMENTS
502
00:22:47,866 --> 00:22:49,743
FROM LADY ESTHER AHUMADA,
503
00:22:49,826 --> 00:22:52,162
GOVERNOR OF THE STATE OF COAHUILA.
504
00:22:52,954 --> 00:22:54,372
LET'S GO TO A CUT AND WE'LL BE BACK.
505
00:22:54,456 --> 00:22:55,624
I AM CARLA UZCÁTEGUI.
506
00:22:56,291 --> 00:22:57,793
[Ismael] WELL, IT LOOKS LIKE YOUR MOTHER
WANTS TO CALL YOU
507
00:22:57,876 --> 00:23:00,170
ALL ATTENTION TO THE BEGGAR CORPORATE, COUSIN.
508
00:23:00,253 --> 00:23:01,505
WE HAVE TO MEET HER.
509
00:23:02,130 --> 00:23:03,715
ARE YOU THINKING ABOUT THE SAME THING AS ME?
510
00:23:04,549 --> 00:23:05,425
ALWAYS.
511
00:23:09,554 --> 00:23:12,891
[Navarro]EL CHEMA VENEGAS
AND THE CORONELA, I WANT THEM ALIVE!
512
00:23:16,019 --> 00:23:16,853
[agent] ONE!
513
00:23:17,062 --> 00:23:22,901
[dramatic music]
514
00:23:29,199 --> 00:23:33,954
[dramatic music]
515
00:23:34,371 --> 00:23:35,455
[whistles]
516
00:23:41,503 --> 00:23:46,466
[dramatic music]
517
00:23:53,723 --> 00:23:55,642
[bustle]
518
00:23:56,643 --> 00:23:59,396
[dramatic music]
519
00:24:00,063 --> 00:24:01,857
[bustle]
520
00:24:02,858 --> 00:24:05,610
[dramatic music]
521
00:24:07,529 --> 00:24:08,363
[agent 1] STOP!
522
00:24:08,446 --> 00:24:10,407
[screams]
523
00:24:11,658 --> 00:24:15,203
- [screams]
- [gunshots]
524
00:24:15,954 --> 00:24:17,122
[agent 1] ON THE FLOOR, ON THE FLOOR.
525
00:24:17,205 --> 00:24:18,206
[agent 2] NOBODY MOVE.
526
00:24:18,915 --> 00:24:20,292
[agent 2] TURN TO SIGN UP.
527
00:24:22,878 --> 00:24:28,884
[dramatic music]
528
00:24:33,555 --> 00:24:35,765
[suspense music]
529
00:24:35,974 --> 00:24:37,559
THE CHEMA NOR THE CORONELA IS NOT HERE,
530
00:24:37,767 --> 00:24:38,602
THERE IS ONLY THE CHIP.
531
00:24:40,645 --> 00:24:42,063
[exhales]
532
00:24:46,943 --> 00:24:50,655
INTERROGATE THEM ALL
UNTIL SOMEONE TALKS, DAMN IT.
533
00:24:52,741 --> 00:24:56,203
WHAT A TRIUMPH, NO!
FARC WORKERS PRISONERS
534
00:24:56,286 --> 00:24:58,830
AND THERE IS NEITHER CHEMA VENEGAS OR CORONELA.
535
00:24:58,914 --> 00:25:00,207
[in English] GO TO FUCK.
536
00:25:03,126 --> 00:25:07,464
[dramatic music]
537
00:25:10,300 --> 00:25:11,509
[Amber in Spanish] NAVARRO...
538
00:25:11,593 --> 00:25:12,969
...HI, DADDY.
539
00:25:13,386 --> 00:25:16,473
CONGRATULATIONS, OH? THAT, FINALLY,
YOU MANAGED TO CATCH ME.
540
00:25:16,556 --> 00:25:18,516
NO GAMES, WE HAD SAID.
541
00:25:18,934 --> 00:25:19,768
GAMES?
542
00:25:19,851 --> 00:25:21,811
NO, NO. OH OK! WELL YES. I IMAGINE
543
00:25:21,895 --> 00:25:24,272
WHAT DO YOU MEAN ABOUT THE ATTEMPT?
TO GET A CHIP ON ME.
544
00:25:24,773 --> 00:25:26,524
WHAT DID YOU THINK, THAT I WAS NOT LEAVING
TO REALIZE
545
00:25:26,608 --> 00:25:28,068
AM I ASSHOLE OR WHAT?
546
00:25:28,568 --> 00:25:29,945
NAVARRO, I AM NOT PLAYING.
547
00:25:30,028 --> 00:25:31,821
AND MUCH LESS, WITH CHEMA VENEGAS.
548
00:25:31,905 --> 00:25:33,698
IF I TOLD YOU THAT I WAS GOING TO DELIVER IT TO YOU,
549
00:25:33,782 --> 00:25:36,618
IT'S BECAUSE THAT'S WHAT IT'S GOING TO BE.
SO TRUST ME.
550
00:25:37,702 --> 00:25:41,206
[dramatic music]
551
00:25:41,623 --> 00:25:44,542
[gasps]
552
00:25:45,835 --> 00:25:47,045
[Corina] GUILLERMO...
553
00:25:47,545 --> 00:25:49,214
I MANAGED TO MAKE CONTACT WITH DALILA.
554
00:25:49,297 --> 00:25:51,591
VERY GOOD. AND HOW DID YOU CONTACT HER?
555
00:25:52,425 --> 00:25:53,677
EXERCISING.
556
00:25:54,636 --> 00:25:56,888
SHE'S GOING TO BE THE WHO
IT'S GOING TO TAKE US TO OJEDA.
557
00:25:57,305 --> 00:25:58,139
[snort]
558
00:25:59,099 --> 00:26:00,016
[snap]
559
00:26:11,945 --> 00:26:12,779
[sound of keys]
560
00:26:13,738 --> 00:26:14,823
[Ojeda] ARE YOU OUT, VA?
561
00:26:15,031 --> 00:26:16,283
YES, I WENT OUT TO EXERCISE.
562
00:26:16,366 --> 00:26:17,742
[Ojeda] EGG!
563
00:26:19,035 --> 00:26:20,203
YOU KNOW WHAT, APACHURRO?
564
00:26:21,830 --> 00:26:23,748
WE ARE GOING TO HAVE TO CHANGE LOCATION.
565
00:26:24,249 --> 00:26:27,002
- DID THEY FOLLOW YOU?
- [Ojeda] NO, NOT TO ME.
566
00:26:27,502 --> 00:26:28,628
THEY FOLLOWED YOU.
567
00:26:29,587 --> 00:26:31,423
THEY PUT TWO CHANGOTES ON YOU.
THERE THEY ARE OUTSIDE.
568
00:26:34,217 --> 00:26:36,052
[laughs]
569
00:26:36,636 --> 00:26:38,722
WE ARE GOING TO HAVE A LOT OF FUN.
570
00:26:41,141 --> 00:26:44,185
LET'S FIND OUT
WHO THE FUCK PUT THEM ON YOU.
571
00:26:45,395 --> 00:26:47,897
[dramatic music]
572
00:26:48,315 --> 00:26:49,149
[Diana]HERE IS MY BOSS.
573
00:26:50,692 --> 00:26:52,902
THE BEST THING IS GOING TO BE TO GRAB IT
UNSURPRISED ON ANOTHER SIDE
574
00:26:52,986 --> 00:26:54,112
TO NOT CREATE A DISORDER.
575
00:26:54,446 --> 00:26:55,280
SIMON.
576
00:26:55,613 --> 00:26:58,033
THAT RUCA HAS ITS CHARACTER,
IT'S NOT GOING TO BE...
577
00:26:58,116 --> 00:26:59,534
[Ismael] A LOT OF DAGGER, WE HAVE ALREADY DONE IT.
578
00:27:00,618 --> 00:27:02,579
NO, THE MESS IS GOING TO START NOW.
579
00:27:03,955 --> 00:27:04,789
[clears throat]
580
00:27:04,873 --> 00:27:07,292
[suspense music]
581
00:27:07,917 --> 00:27:09,586
[Tweet] TO THE CUCHA, TO THE CUCHA...!
582
00:27:10,128 --> 00:27:10,962
LET'S GO, VITA.
583
00:27:11,046 --> 00:27:13,673
[dramatic music]
584
00:27:13,757 --> 00:27:15,342
[tires screeching]
585
00:27:15,633 --> 00:27:16,468
WHAT'S GOING ON?
586
00:27:17,802 --> 00:27:18,636
[Esther] AH!
587
00:27:19,679 --> 00:27:20,513
AH!
588
00:27:21,723 --> 00:27:23,308
[Beloved] HERE, HERE, BRAKE, BRAKE, BRAKE!
589
00:27:23,850 --> 00:27:24,768
[Ismael] CLICK DOOR.
590
00:27:25,894 --> 00:27:30,357
[dramatic music]
591
00:27:30,815 --> 00:27:32,650
SON 'E BITCH! THEY GOT AHEAD OF US, BOAT.
592
00:27:32,734 --> 00:27:35,403
NO, IT CAN'T BE.
THESE DAMN UNGRATES PREDICT
593
00:27:35,487 --> 00:27:37,405
- UNTIL WHEN I AM GOING TO ENTER THE BATHROOM.
- [sound of weapon loading]
594
00:27:38,031 --> 00:27:39,074
HELP ME!
595
00:27:40,784 --> 00:27:41,868
COME ON, BELOVED.
596
00:27:42,827 --> 00:27:44,621
[Ismael] TROUT, TROUT THERE.
TROUT THERE!
597
00:27:44,954 --> 00:27:46,498
[sobs]
598
00:27:47,332 --> 00:27:52,587
[dramatic music]
599
00:27:52,962 --> 00:27:55,215
LET'S GO, LET'S GO, FAGGIE. A LOST BULLET
ALWAYS THOSE OF US WHO DON'T HAVE...
600
00:27:55,298 --> 00:27:56,257
SHUT UP NOW!
601
00:27:56,341 --> 00:27:58,301
[Jaime] NO MAMES, IT'S SUPPOSED
THAT I SHOULD NOT BE HERE, GUY.
602
00:27:58,676 --> 00:28:00,678
[Jaime] IF THEY EVER SEE ME, THEY'RE OVER
OUR BISNES, BITCH.
603
00:28:00,762 --> 00:28:02,764
WELL, TOO BAD, DAD. LEAD VENT.
604
00:28:02,847 --> 00:28:05,392
FIVE MILLION GREEN
BY THE HEAD OF THE CUCHA, NOW!
605
00:28:05,475 --> 00:28:08,686
FIVE MILLION GREENS BY THE HEAD
FROM THE GOVERNOR, GENTLEMEN. DO IT!
606
00:28:08,770 --> 00:28:11,064
[Samario] FIVE MILLION GREEN
BY THE BEACH, GENTLEMEN!
607
00:28:11,147 --> 00:28:12,565
DO IT! DO IT!
608
00:28:13,274 --> 00:28:14,692
[moans]
609
00:28:19,406 --> 00:28:21,074
- [sound of gunshots]
- OW!
610
00:28:21,491 --> 00:28:22,575
[moan]
611
00:28:23,243 --> 00:28:25,245
MY GOD... HELP ME.
612
00:28:25,662 --> 00:28:29,040
[cell phone rings]
613
00:28:29,290 --> 00:28:30,125
WHAT HAPPENED?
614
00:28:31,000 --> 00:28:32,502
LIKE A SHOOTING, WHERE?
615
00:28:33,169 --> 00:28:34,129
AND THE GOVERNOR?
616
00:28:34,963 --> 00:28:36,047
CHILDREN OF THE CHINGADA.
617
00:28:36,131 --> 00:28:37,924
LET'S GO LIVE. THERE IS A SHOOTING.
618
00:28:38,007 --> 00:28:39,968
- [Sandro] WHERE?
- OUT HERE ON THE CANAL. GO FOR CAMERAS.
619
00:28:40,051 --> 00:28:40,969
- [Liliana] LET'S GO, LET'S GO.
- [Sandro] COME ON, COME ON, YES.
620
00:28:41,052 --> 00:28:41,970
I'LL WAIT FOR YOU OUTSIDE, HUH?
621
00:28:42,345 --> 00:28:43,555
- [Sandro] COME ON. LET'S GO, LET'S GO.
- [Liliana] YES.
622
00:28:43,680 --> 00:28:46,766
WE SEIZE DRUGS,
WE DESTROYED A LABORATORY, BUT...
623
00:28:46,850 --> 00:28:49,436
MEDAL FOR THE DEA.
BUT NOTHING FROM CHEMA VENEGAS.
624
00:28:49,519 --> 00:28:50,353
[sigh]
625
00:28:50,437 --> 00:28:52,105
- THE CORONELA PLAYED US DIRTY.
- [cell phone rings]
626
00:28:52,188 --> 00:28:54,357
- [cell phone rings]
- [Navarro in English] Damn...
627
00:28:56,234 --> 00:28:58,319
- [in Spanish] CARLA.
- THERE'S A SHOOTING HERE OUTSIDE THE CANAL,
628
00:28:58,403 --> 00:28:59,404
AN ATTACK ON AHUMADA.
629
00:28:59,779 --> 00:29:00,697
BRING YOUR PEOPLE.
630
00:29:00,780 --> 00:29:01,656
WE'RE GOING THERE.
631
00:29:02,574 --> 00:29:05,118
THERE IS A SHOOTING, THEY ARE ATTACKING
TO THE GOVERNOR. COME ON.
632
00:29:05,493 --> 00:29:09,497
[dramatic music]
633
00:29:13,168 --> 00:29:17,005
[sobs]
634
00:29:18,089 --> 00:29:18,923
[moans]
635
00:29:20,675 --> 00:29:23,595
[dramatic music]
636
00:29:23,678 --> 00:29:25,346
DON'T SUCK, YOU BITCH.
THERE'S MY SISTER-IN-LAW, GUY.
637
00:29:25,805 --> 00:29:27,390
IF YOU SEE ME, THIS IS THE FUCKING END.
638
00:29:27,474 --> 00:29:29,434
THE END? THE END IS FOR THE SMOKED
639
00:29:29,517 --> 00:29:32,270
AND IF YOUR WIFE IS THERE,
MILL, IT'S ALREADY FRIED, DAD.
640
00:29:32,353 --> 00:29:33,188
WHAT WAS THERE?
641
00:29:34,105 --> 00:29:36,608
[Joaquín] TEE... TEE, MY FAG,
I DON'T WANT TO STAY HERE,
642
00:29:36,691 --> 00:29:37,650
I'M GOING TO MISS A SHOT.
643
00:29:37,734 --> 00:29:39,235
GET IN THERE, YOU BIG ASSHOLE.
644
00:29:40,445 --> 00:29:46,284
[moans]
645
00:29:47,076 --> 00:29:48,661
[sound of gunshots]
646
00:29:48,745 --> 00:29:50,038
THESE SON' AND WHORES...
647
00:29:50,246 --> 00:29:52,415
DO IT, BROTHER. DO IT,
THE OLD WOMAN ESCAPES. DO IT.
648
00:29:54,876 --> 00:29:55,710
[sound of gunshots]
649
00:29:56,419 --> 00:29:57,253
BITCH!
650
00:29:58,087 --> 00:29:59,756
- [sound of gunshots]
- [Ismael] I SUPPORT THEM...
651
00:30:00,423 --> 00:30:01,382
AH...!
652
00:30:01,966 --> 00:30:02,967
[sound of gunshots]
653
00:30:03,051 --> 00:30:05,303
[dramatic music]
654
00:30:05,386 --> 00:30:06,971
[sound of gunshots]
655
00:30:07,388 --> 00:30:08,223
[Esther] AH!
656
00:30:10,725 --> 00:30:12,477
[car alarm sound]
657
00:30:13,102 --> 00:30:14,187
GET READY TO RECORD EVERYTHING.
658
00:30:14,270 --> 00:30:15,605
RECORD EVERYTHING WITH YOUR CELL PHONE, LILIANA!
659
00:30:15,772 --> 00:30:17,482
CHEST TO THE FLOOR, TO THE FLOOR, TO THE FLOOR!
660
00:30:17,565 --> 00:30:18,983
[sound of gunshots]
661
00:30:19,067 --> 00:30:20,735
- RECORD EVERYTHING, RECORD EVERYTHING.
- [Sandro] WE ARE ALREADY RECORDING.
662
00:30:21,069 --> 00:30:22,862
IT'S CROSS FIRE,
SEVERAL TRUCKS ARE...
663
00:30:22,946 --> 00:30:25,323
...THEY ARE SHOOTING. AND IN THE MIDDLE,
THERE IS THE TRUCK FROM THE...
664
00:30:25,698 --> 00:30:26,533
[grunts]
665
00:30:27,200 --> 00:30:28,451
...FROM GOVERNOR AHUMADA.
666
00:30:29,285 --> 00:30:30,870
[Carla]EVERYTHING IS CHAOS, EVERYTHING IS CONFUSION.
667
00:30:31,329 --> 00:30:34,374
[dramatic music]
668
00:30:34,457 --> 00:30:35,333
WHERE IS THE GOVERNOR?
669
00:30:35,416 --> 00:30:36,793
WHERE THE FUCK IS THE GOVERNOR?
670
00:30:38,378 --> 00:30:40,380
WAIT, WAIT. SHH, SHH, SHH, SHH.
671
00:30:42,006 --> 00:30:42,924
WHAT'S UP, NENI?
672
00:30:43,007 --> 00:30:46,219
JAIME, WHERE ARE YOU?
I JUST SAW ON TV THAT...
673
00:30:46,427 --> 00:30:47,887
...THEY ATTACKED AN ATTACK ON MY MOTHER.
674
00:30:47,971 --> 00:30:49,681
YES, JUST FOR THAT
I WAS GOING TO CALL YOU, MY LOVE.
675
00:30:49,764 --> 00:30:51,933
THIS... LOOK, RIGHT NOW I'M GOING FOR HER.
676
00:30:52,016 --> 00:30:54,477
EH... AND... AND WELL,
I'LL WARN YOU WHAT'S UP, OKAY?
677
00:30:54,686 --> 00:30:55,687
KISSES, MY LOVE.
678
00:30:58,022 --> 00:30:58,940
[Diana] THERE'S MY 'AMÁ.
679
00:30:59,023 --> 00:31:00,817
BELOVED, WHAT THE FUCK ARE WE GOING TO DO?
680
00:31:02,026 --> 00:31:03,361
- [Beloved] COME. - WHERE ARE WE GOING?
681
00:31:04,279 --> 00:31:05,947
[Carla] I'M WATCHING
TO GOVERNOR AHUMADA.
682
00:31:06,406 --> 00:31:08,825
IT IS COVERED IN BLOOD,
BUT I DON'T KNOW IF SHE'S HURT.
683
00:31:09,367 --> 00:31:13,830
[dramatic music]
684
00:31:14,581 --> 00:31:16,416
[gasps]
685
00:31:18,042 --> 00:31:19,794
- [Beloved] ISMA...
- WHAT THE FART?
686
00:31:20,169 --> 00:31:21,296
PRESS HIM, GUY.
687
00:31:21,379 --> 00:31:24,799
ZOPI... ZOPI, GO SEE THE TROCA, GUY.
LEAVE ME A GRENADE, DOG.
688
00:31:25,091 --> 00:31:27,093
FUCK YOU, YOU BITCHES. HOLD ON.
689
00:31:27,594 --> 00:31:29,971
[suspense music]
690
00:31:30,054 --> 00:31:31,973
WELL, MOTHERS ARE WORTHY TO ME
YOUR STRATEGIES.
691
00:31:32,056 --> 00:31:33,224
DIANA! NO!
692
00:31:34,767 --> 00:31:37,729
[dramatic music]
693
00:31:37,812 --> 00:31:38,730
OH, BITCH.
694
00:31:39,022 --> 00:31:40,565
YOU STAY HERE, FUCKING MOTHER.
695
00:31:40,648 --> 00:31:41,774
- ISMA...
- WHAT, GUY?
696
00:31:42,066 --> 00:31:42,900
WHAT THE FART?
697
00:31:42,984 --> 00:31:44,193
- COVER US.
- SIMON, SIMON.
698
00:31:44,277 --> 00:31:45,820
GO FOR YOUR MOTHER. PASS ME THE GUN.
699
00:31:46,404 --> 00:31:47,322
COVER ME, BITCH.
700
00:31:47,405 --> 00:31:48,364
[sound of gunshots]
701
00:31:49,407 --> 00:31:50,241
[moans]
702
00:31:50,575 --> 00:31:52,744
NOW YOU ARE GOING TO PAY ME
WHAT YOU DID TO MY BOSS,
703
00:31:52,827 --> 00:31:54,746
SON OF YOUR FUCKING MOTHER!
704
00:31:54,829 --> 00:31:56,581
OF COURSE, DADDY. WITH GREAT PLEASURE.
705
00:31:56,664 --> 00:31:57,790
I WILL DO YOU THE FAVOR.
706
00:31:58,958 --> 00:32:01,002
[Ismael] HERE'S A LITTLE GIFT FOR YOU, ASSHOLE.
707
00:32:01,085 --> 00:32:02,170
[Tweet] GET TO THE GROUND!
708
00:32:05,423 --> 00:32:06,341
[Ismael] LET'S GO!
709
00:32:06,674 --> 00:32:11,137
[dramatic music]
710
00:32:11,512 --> 00:32:13,014
EVERYTHING IS CONFUSION, THERE IS A LOT OF SMOKE.
711
00:32:13,348 --> 00:32:14,182
'AMA!
712
00:32:14,807 --> 00:32:15,934
A WOMAN IS APPROACHING.
713
00:32:16,017 --> 00:32:17,936
- [Diana] ARE YOU OKAY?
- HOW IS IT, HOW IS IT?
714
00:32:19,562 --> 00:32:20,813
IT'S PICTURED!
715
00:32:21,939 --> 00:32:23,608
[Samario] 'IT'S GOOD, 'IT'S GOOD.
716
00:32:23,691 --> 00:32:26,319
[Samario] SKIPPER... CAPE...
717
00:32:27,153 --> 00:32:28,488
[sound of gunshots]
718
00:32:29,113 --> 00:32:30,573
IT'S HER DAUGHTER, IT'S DIANA AHUMADA.
719
00:32:30,657 --> 00:32:31,491
[scream]
720
00:32:32,075 --> 00:32:32,909
LET'S GO.
721
00:32:32,992 --> 00:32:34,243
- [tires screeching]
- [Beloved] ISMA...
722
00:32:34,327 --> 00:32:35,161
VITA...
723
00:32:35,286 --> 00:32:37,622
[dramatic music]
724
00:32:37,705 --> 00:32:39,666
-[sobs]
- [Diana] ENTER...
725
00:32:41,668 --> 00:32:42,961
- [Ismael] LET'S LOVE US, TARZAN!
726
00:32:43,795 --> 00:32:48,549
[dramatic music]
727
00:32:49,133 --> 00:32:52,220
I HAVE SOME DESIRE
FROM THAT SON' AND BITCH OF ISMAEL.
728
00:32:53,471 --> 00:32:55,515
BUT BOAR THE BOAR,
BOARS LOS CASILLAS,
729
00:32:55,598 --> 00:32:56,432
BOAR THE...
730
00:32:56,599 --> 00:32:58,101
I'M ALREADY TIRED OF BEING...
731
00:32:58,518 --> 00:33:00,603
...SEEING THE EGGS, WHORE.
732
00:33:00,687 --> 00:33:02,689
PATRON, THE CAGADA
THE JOURNALIST WAS
733
00:33:02,772 --> 00:33:04,315
OUT THERE RECORDING WITH A CAMERA.
734
00:33:05,024 --> 00:33:07,151
IF THEY SAW ME, THIS MOTHER
IT'S OVER, YOU BITCHES, HUH?
735
00:33:07,485 --> 00:33:08,319
IT'S OVER!
736
00:33:08,820 --> 00:33:11,030
WELL, CHANGE YOUR GIRLFRIEND
737
00:33:11,197 --> 00:33:12,740
BECAUSE I'M GOING TO BREAK YOUR MOM
738
00:33:12,824 --> 00:33:14,409
AND TO HIS SISTER-IN-LAW, BIG ASSHOLE.
739
00:33:14,742 --> 00:33:17,954
[dramatic music]
740
00:33:21,541 --> 00:33:26,713
[suspense music]
741
00:33:31,092 --> 00:33:31,926
ARE YOU OK?
742
00:33:34,345 --> 00:33:36,347
- [Carla] I'M FINE.
- WHAT THE FUCK HAPPENED?
743
00:33:36,723 --> 00:33:39,767
I DON'T KNOW, IT WAS VERY... IT WAS VERY CONFUSING.
744
00:33:39,851 --> 00:33:41,853
SEVERAL TRUCKS ARRIVED
AND THEY STARTED SHOOTING AT EACH OTHER,
745
00:33:41,936 --> 00:33:43,062
SOME CAME FOR ESTHER AHUMADA,
746
00:33:43,146 --> 00:33:45,565
BUT OTHERS CAME...
I THINK TO SAVE HER. I DON'T KNOW.
747
00:33:46,232 --> 00:33:48,025
- BUT DID THEY TAKE HER?
- YEAH. YES, YES.
748
00:33:48,109 --> 00:33:50,778
- [Navarro] WHO?
- I THINK I SAW SMOKED DIANA.
749
00:33:50,862 --> 00:33:52,280
I THINK THE CASILLAS TOOK HER.
750
00:33:52,363 --> 00:33:53,990
WE WILL HAVE TO CHECK, I HAVE EVERYTHING RECORDED.
751
00:33:55,241 --> 00:33:56,075
[Castle] LET'S SEE...
752
00:33:56,492 --> 00:33:57,326
LET'S SEE.
753
00:33:57,702 --> 00:33:59,746
LET'S SEE... HERE!
754
00:34:00,163 --> 00:34:01,247
GET TOGETHER, GENTLEMEN.
755
00:34:02,040 --> 00:34:04,042
LET'S SEE, I WANT THEM TO INSTALL SEALS,
756
00:34:04,125 --> 00:34:06,002
INTERROGATION OF THE WITNESSES.
757
00:34:06,252 --> 00:34:08,963
I WANT ALSO, DESCRIPTION
OF ALL VEHICLES.
758
00:34:09,338 --> 00:34:11,174
I ALSO WANT AN INTERROGATION
OF ALL THE INJURED
759
00:34:11,257 --> 00:34:12,675
AND GIVE THEM ATTENTION. WE ARE?
760
00:34:12,967 --> 00:34:14,177
- [all] YES, SIR.
- [Castle] MOVE.
761
00:34:15,386 --> 00:34:17,346
- ROMÁN, BRING THE EQUIPMENT.
- [Román] YES, SIR.
762
00:34:17,555 --> 00:34:19,182
LET'S GO FOR THE SECURITY CAMERAS.
763
00:34:19,265 --> 00:34:21,517
IF YOU ARE DETERMINED TO WORK WITH CORINA,
764
00:34:21,934 --> 00:34:23,478
THEN, GET INFORMATION FROM IT, RIGHT?
765
00:34:24,937 --> 00:34:29,734
[dramatic music]
766
00:34:30,318 --> 00:34:32,236
NO, NO. WE DON'T KNOW ANYTHING.
767
00:34:33,488 --> 00:34:35,072
WE ARE ALREADY FOLLOWING THE TRACK OF OJEDA
768
00:34:35,156 --> 00:34:36,741
AND WE HAVE PEOPLE WITH DALILA. BUT...
769
00:34:37,450 --> 00:34:38,576
...NO, NOT ABOUT THIS.
770
00:34:38,659 --> 00:34:41,662
THIS IS WHAT I NEED INFORMATION ABOUT,
OF THE BOXES.
771
00:34:41,746 --> 00:34:42,997
THAT IS THE PRIORITY.
772
00:34:43,081 --> 00:34:45,249
YES, BUT I CAN'T LEAVE EITHER
LO DE OJEDA, NAVARRO.
773
00:34:45,500 --> 00:34:47,835
I'LL DO WHAT I CAN, BUT I DON'T KNOW.
774
00:34:47,919 --> 00:34:49,587
THE BOXES! DID YOU HEAR ME?
775
00:34:51,130 --> 00:34:53,007
I WAS VERY CAREFUL.
AND THE TRUTH, IN THE PARK,
776
00:34:53,091 --> 00:34:55,051
THERE WERE ONLY PEOPLE EXERCISING.
777
00:34:55,635 --> 00:34:58,096
AND I HAVE TO REHABILITATE MYSELF, RIGHT?
778
00:34:58,221 --> 00:34:59,680
LOOK, APACHURRO, IN THIS PROFESSION
779
00:34:59,764 --> 00:35:02,850
IT'S BETTER TO BE... PARANOID.
780
00:35:02,934 --> 00:35:04,811
HEY, AND I CONGRATULATE YOU. VERY GOOD. HOW GOOD
781
00:35:04,894 --> 00:35:07,772
MAY YOU CONTINUE EXERCISING
AND YOU CONTINUE CULTIVATING
782
00:35:07,855 --> 00:35:10,817
THAT GODDESS BODY YOU HAVE, HUH?
783
00:35:11,067 --> 00:35:14,862
LOOK, COME HERE, WHAT WE ARE GOING TO PUT ON YOU
A FOUR TO THESE CHANGOTES, COME ON.
784
00:35:15,196 --> 00:35:19,742
[suspense music]
785
00:35:20,368 --> 00:35:22,662
- ARE YOU OKAY, AMÁ? IS THAT BLOOD YOURS?
- BUT.
786
00:35:22,745 --> 00:35:23,579
- [Diana] IS NOT YOURS?
- NO.
787
00:35:23,663 --> 00:35:24,789
[Esther] HOLY MOTHER!
788
00:35:24,997 --> 00:35:27,250
- [Diana] FUCKING MOTHER.
- [Esther] OH...!
789
00:35:27,458 --> 00:35:28,835
[Ismael] PUTA MADRE, CHINGADO.
790
00:35:28,918 --> 00:35:30,837
WHEN WILL IT BE PRESENTED
AN OPPORTUNITY LIKE THIS, DAMN?
791
00:35:30,920 --> 00:35:32,797
HOW DOES IT THINK TO SET UP A SHOOTING?
792
00:35:32,880 --> 00:35:34,882
IN THE MIDDLE OF THE CITY? DON'T YOU REALIZE
793
00:35:34,966 --> 00:35:37,134
HOW FAR ARE THEY LEADING
THINGS, DAMN?
794
00:35:37,218 --> 00:35:38,678
YOU SHOULD FIRST THANK US
795
00:35:38,761 --> 00:35:40,930
HAVING SAVED YOUR LIFE,
NO, MOM? DON'T YOU BELIEVE?
796
00:35:41,597 --> 00:35:44,016
HOW DID THEY KNOW THERE WAS GOING TO BE
AN ATTACK AGAINST ME?
797
00:35:44,183 --> 00:35:46,102
WELL BECAUSE YOU DID THE WORST
WHAT COULD YOU HAVE DONE,
798
00:35:46,185 --> 00:35:48,938
YOU GOT LIKE THIS, VERY NICE FOR THAT
COLOMBIANS WILL FIND YOU.
799
00:35:49,021 --> 00:35:51,315
IT WAS A STRATEGIC MISTAKE.
THAT'S WHAT IT WAS.
800
00:35:51,399 --> 00:35:54,569
NO, BELOVED, NOW. DON'T TRY ANYMORE
TO SOFTEN THINGS.
801
00:35:55,403 --> 00:35:59,532
MOM, PLEASE, I ASK YOU.
PLEASE GET AWAY FROM THIS.
802
00:35:59,949 --> 00:36:01,742
GET AWAY FROM POLITICS, 'AMA.
803
00:36:06,789 --> 00:36:10,293
NO, DIANA. NO, YOU DON'T SEND ME.
804
00:36:10,459 --> 00:36:12,920
[gasps]
805
00:36:13,004 --> 00:36:15,464
I DON'T KNOW WHAT YOUR FACE HAS
TO ASK ME FOR SOMETHING LIKE THIS.
806
00:36:16,507 --> 00:36:19,802
WHAT'S MORE... GET ME OUT OF THE CAR,
I DON'T KNOW WHAT I'M DOING HERE.
807
00:36:19,886 --> 00:36:22,054
- GET ME OFF THE CAR, STOP THE CAR!
- [Diana] DON'T THINK OF IT...
808
00:36:22,138 --> 00:36:24,682
MAY BITCH LOOK AT YOU. HOW ARE WE DOING
TO LET IT OUT LIKE THIS?
809
00:36:24,765 --> 00:36:28,060
- [Diana] ARE YOU CRAZY?
- LET'S SEE, THEY BOTH CALM DOWN!
810
00:36:28,144 --> 00:36:29,145
[Ismael] YES, TÍA NO CHINGUE,
811
00:36:29,228 --> 00:36:31,022
HOW DO YOU THINK WE'RE DOING?
LEAVE IT LIKE THIS. DO NOT STAIN.
812
00:36:31,105 --> 00:36:32,648
YOU, DIANA, CALM DOWN.
813
00:36:32,732 --> 00:36:35,276
HOW THE FUCK DO YOU THINK
WHAT AM I GOING TO CALM MYSELF, BELOVED?
814
00:36:35,359 --> 00:36:38,154
IF IT'S LIKE REPEATING THE SAME STORY...
815
00:36:39,906 --> 00:36:43,451
THEY ALREADY KILLED MY 'APÁ...
I THOUGHT THEY WERE GOING TO KILL YOU, 'LOVE.
816
00:36:44,785 --> 00:36:47,163
[sobs]
817
00:36:47,371 --> 00:36:49,290
THE SHIP IS ABOUT TO ARRIVE IN PANAMA.
818
00:36:49,457 --> 00:36:50,791
AS YOU SUGGESTED...
819
00:36:51,751 --> 00:36:53,711
[Volpi] YOU MUST TAKE THE GOODS TO CANCUN
820
00:36:53,794 --> 00:36:54,670
[Volpi in Italian] IMMEDIATELY.
821
00:36:54,754 --> 00:36:56,339
[in Spanish] THE REST
IT IS COMING BY AIR.
822
00:36:57,089 --> 00:36:59,217
DO YOU ALREADY KNOW HOW THE DEMAND IS GOING?
IN THE ANTROS?
823
00:36:59,300 --> 00:37:01,010
THEY SCREAM FOR IT AND THERE IS A SHORTAGE.
824
00:37:01,093 --> 00:37:03,721
DEMAND GOES UP, SUPPLY GOES DOWN,
WE RAISE PRICES, WE GROW.
825
00:37:03,804 --> 00:37:05,473
AH, BUT I DON'T CARE ABOUT THE PRICES.
826
00:37:05,640 --> 00:37:07,558
AS IF WE GAVE IT AWAY AT THE BEGINNING.
827
00:37:07,642 --> 00:37:10,603
THEY THINK THEY ARE TAKING
THE BEST OF COCAINES.
828
00:37:11,395 --> 00:37:12,230
I LIKE IT.
829
00:37:12,688 --> 00:37:14,690
FENTANYL IS THE KEY WORD
WHICH SHOULD NOT APPEAR.
830
00:37:14,774 --> 00:37:16,108
[Volpi] IT'S THE SAME WITH HEROINE,
831
00:37:16,192 --> 00:37:18,486
THE INGREDIENT MUST BE KEPT SECRET.
832
00:37:18,903 --> 00:37:21,614
[in Italian] PLEASURE, PURE PLEASURE.
833
00:37:21,989 --> 00:37:23,324
[in Spanish] AT THE END,
THEY ARE SO HOOKED
834
00:37:23,407 --> 00:37:24,825
THAT THEY CAN'T LIVE WITHOUT IT.
835
00:37:24,909 --> 00:37:26,160
[dramatic music]
836
00:37:27,620 --> 00:37:29,121
[Cecilio] HEY, DILAN!
837
00:37:32,375 --> 00:37:33,417
BEAUTIFUL...
838
00:37:33,876 --> 00:37:35,670
- [Dylan] WHERE IS HE?
- [Cecilio] CALM DOWN.
839
00:37:36,462 --> 00:37:39,006
CALM DOWN. HAVE YOU ALREADY SEE WHAT FACE YOU HAVE?
840
00:37:39,215 --> 00:37:40,633
IT'S OVER, BITCH.
841
00:37:40,716 --> 00:37:41,634
THAT?
842
00:37:41,884 --> 00:37:43,010
[Dylan] THE WHITE, BITCH.
843
00:37:43,094 --> 00:37:45,221
TALK TO YOUR FRIENDS,
THE... KOREANS, WOW.
844
00:37:45,304 --> 00:37:47,014
- WHO DO YOU WANT ME TO TALK TO?
- [Dylan] WITH THE KOREANS.
845
00:37:47,098 --> 00:37:49,350
WHAT'S OVER?
WHAT IS THERE THAT IS OVER?
846
00:37:49,433 --> 00:37:51,978
WOW, I HAVE A PINCH OF TEN,
I CAN'T GO DRY.
847
00:37:52,061 --> 00:37:54,605
LET'S SEE, CALM DOWN. SIT DOWN.
848
00:37:55,022 --> 00:37:55,940
SIT DOWN.
849
00:37:56,023 --> 00:37:57,108
- [Dylan] FUCKING MOTHERS.
-LET'S SEE IF...
850
00:37:57,191 --> 00:37:58,567
[Dylan] WELL I CAN'T GET DRY LIKE THIS.
851
00:37:59,151 --> 00:38:00,778
- AND WHAT DO I DO?
- [snort]
852
00:38:01,988 --> 00:38:05,741
MERCHANDISE IS COMING... CALM DOWN.
853
00:38:06,075 --> 00:38:07,785
BUT DON'T BE LIKE THAT, BEAUTIFUL.
854
00:38:07,868 --> 00:38:09,161
AND HOW DO YOU THINK I LOOK?
855
00:38:09,996 --> 00:38:12,748
YOU MADE ME LIKE THIS... YOU GOT ME USED TO IT.
856
00:38:12,832 --> 00:38:13,708
LET'S SEE, LET'S SEE.
857
00:38:15,918 --> 00:38:19,755
YOU CONTROL IT, LET IT NOT CONTROL YOU,
858
00:38:20,047 --> 00:38:20,881
HUH?
859
00:38:22,008 --> 00:38:23,175
[Javier] THEY ARE ALREADY ON THEIR WAY.
860
00:38:23,259 --> 00:38:25,219
FROM WHAT I SEE,
THEY THROWN GOOD LEAD.
861
00:38:26,304 --> 00:38:28,306
THINGS ARE GOING TO GET VERY ROUGH IN DF.
862
00:38:28,389 --> 00:38:30,391
I THINK THE BEST IS GOING
WE ARE GOING TO GO TO CANCUN.
863
00:38:31,392 --> 00:38:33,436
HEY, ATHINA, WHY DON'T YOU COME
WITH US?
864
00:38:33,519 --> 00:38:35,479
AT ONCE, HE SET UP HIS ART BUSINESS THERE.
865
00:38:35,563 --> 00:38:38,316
YES, BUT I HAVE BEEN SEEING ON THE INTERNET
866
00:38:38,399 --> 00:38:41,527
AND THE MARKET IS A LOT
BETTER HERE, IN MEXICO.
867
00:38:42,570 --> 00:38:43,988
WELL, THEN, THE TRUTH,
WE'LL SEE THAT LATER.
868
00:38:44,071 --> 00:38:47,366
RIGHT NOW THE ONLY THING I HAVE ON MY MIND
IT IS GETTING THE CHILDREN BACK.
869
00:38:48,534 --> 00:38:51,162
THEY'RE HERE, MONA. I'M GOING TO RECEIVE THEM.
870
00:38:51,245 --> 00:38:55,082
[suspense music]
871
00:39:07,636 --> 00:39:10,431
I'M VERY BORED
FROM BEING HERE IN THIS LOCKDOWN,
872
00:39:10,514 --> 00:39:12,808
IN THIS HOUSE. I AM USED
TO GO OUT, TO LIVE.
873
00:39:13,934 --> 00:39:15,936
BUT YOU DON'T HAVE IT THAT BAD, RIGHT?
874
00:39:16,729 --> 00:39:21,025
NO, IF IT WAS NOT FOR YOU...
I WOULD BE CLIMBING THOSE WALLS.
875
00:39:22,234 --> 00:39:23,986
EVEN THOUGH I ALREADY SAW YOU
THAT YOU WERE TAKING EYES AT HIM
876
00:39:24,070 --> 00:39:25,571
THERE TO THE NEW BOXES, RIGHT?
877
00:39:25,696 --> 00:39:28,282
[romantic music]
878
00:39:29,200 --> 00:39:30,284
[Javier] QUIET.
879
00:39:31,994 --> 00:39:34,497
KEEP REVIEWING THE HOMEWORK, COUSIN.
880
00:39:39,668 --> 00:39:40,753
Wow, WHAT WAS THAT?
881
00:39:41,379 --> 00:39:42,838
I DON'T KNOW, WELL, SOMEONE ARRIVED.
882
00:39:43,631 --> 00:39:46,967
IT'S SURELY THE FAMOUS AUNT ESTHER,
THIS ONE THEY WERE ABOUT TO KICK OFF.
883
00:39:47,259 --> 00:39:49,553
HEY, BUT THERE ARE PROBLEMS HERE
EVERY TWO MINUTES.
884
00:39:49,637 --> 00:39:51,972
WHAT A BIT! I mean, less now
THEY ARE GOING TO LET US OUT.
885
00:39:52,056 --> 00:39:53,516
[Ismael] BE CAREFUL. BE CAREFUL THERE.
886
00:39:53,599 --> 00:39:54,433
-[moans]
- WHAT THE FART?
887
00:39:54,934 --> 00:39:56,394
- [Ismael] HEY!
- [Leo] WHAT THE FART?
888
00:39:56,477 --> 00:39:58,229
- LEO!
- YOU QUIET, LOVE.
889
00:39:58,437 --> 00:40:00,648
- [Leo] WHAT THE FART? ALRIGHT?
- [Diana] BRING WATER OR SOMETHING, RIGHT?
890
00:40:01,107 --> 00:40:03,067
- [Leo] YES, WOW, YES.
- [Javier] HOW ARE YOU FEELING?
891
00:40:03,150 --> 00:40:06,195
[all speaking in unison]
892
00:40:06,695 --> 00:40:08,406
- [Rutila] THE WATER!
- [Diana] IT'S OKAY, 'MAMA.
893
00:40:08,906 --> 00:40:10,324
- [Rutila] QUIET.
- [they speak in unison]
894
00:40:10,408 --> 00:40:12,201
[Rutila] EVERYTHING IS WELL. SIT HERE.
895
00:40:12,618 --> 00:40:13,828
- [Javier] PASS HIM...
- [Leo] JAVI.
896
00:40:13,911 --> 00:40:15,162
- [Diana] WHORE...
- [Esther coughing]
897
00:40:15,246 --> 00:40:17,206
- [Javier] THANK YOU.
- [Angela] WATER. WATER, WATER.
898
00:40:17,289 --> 00:40:18,124
- [Vita] I'M GOING TO THE CAR.
- [Ángela] RUTILA.
899
00:40:18,207 --> 00:40:19,792
- [Rutila] THANK YOU.
- [gasps]
900
00:40:19,875 --> 00:40:20,709
[Javier] IS IT OKAY?
901
00:40:21,669 --> 00:40:22,753
[Ismael] DON'T SUCK, BITCH.
902
00:40:25,631 --> 00:40:26,757
- THANK YOU...
- [they speak in unison]
903
00:40:26,841 --> 00:40:28,759
- [Leo] IS... MA'AM ARE YOU OKAY?
- [Javier] HERE YOU GO.
904
00:40:28,843 --> 00:40:29,760
[Esther] Wow...
905
00:40:30,344 --> 00:40:31,178
[Angela] ARE YOU OKAY?
906
00:40:31,887 --> 00:40:33,806
[Rutila] THIS IS FOR... FOR THE NERVES.
907
00:40:33,889 --> 00:40:36,183
- [gasps]
- [Javier] BREATHE, BREATHE.
908
00:40:37,268 --> 00:40:40,563
ALBA... I WANT TO SEE ALBA.
WHERE IS ALBA?
909
00:40:40,646 --> 00:40:41,856
[Luzma] HELLO, AUNT. THAT...
910
00:40:41,939 --> 00:40:43,315
...THAT IS NOT GOING TO BE POSSIBLE.
911
00:40:44,024 --> 00:40:45,734
MY GRANDMOTHER ABANDONED US AGAIN,
912
00:40:45,901 --> 00:40:48,946
BUT NOW WITH A HUSBAND AND OTHERS' CHILDREN.
913
00:40:49,029 --> 00:40:51,532
[dramatic music]
914
00:41:02,918 --> 00:41:04,295
HAVE YOU REGRET IT ALREADY, MY GÜERA?
915
00:41:04,628 --> 00:41:06,213
- NO.
- DID YOU BECOME A BOY?
916
00:41:06,422 --> 00:41:09,467
NO... IT LOOKED NICE ON YOU, IT'S PERFECT.
917
00:41:10,134 --> 00:41:12,970
FOR ALL OF US,
FOR THE FAMILY THAT WE ARE.
918
00:41:13,387 --> 00:41:15,764
BUT I SEE YOU SAD,
LIKE CRUSHED, MAN.
919
00:41:15,931 --> 00:41:20,227
WELL... IT WILL BE BECAUSE OF THE MODE
HOW WE HAD TO DO THINGS.
920
00:41:21,061 --> 00:41:22,188
THERE WAS NO OTHER WAY, GÜERA.
921
00:41:22,521 --> 00:41:26,901
SOMEDAY... I DON'T KNOW HOW OR WHEN,
BUT THINGS ARE GOING TO BE TALKED.
922
00:41:27,484 --> 00:41:29,820
AND EVERY PIECE HAS TO FIT
IN YOUR PLACE. MAN.
923
00:41:29,904 --> 00:41:32,698
YEAH. AND ARE WE SAFE HERE, PULQUE?
924
00:41:32,781 --> 00:41:33,657
ARMORED.
925
00:41:34,783 --> 00:41:37,328
NO ONE KNOWS WHO YOU ARE,
NO ONE KNOWS WHO THE PLEBS ARE.
926
00:41:38,245 --> 00:41:40,331
[El Pulque] WE ARE NOT IMPORTANT
HOW TO GET THE NEWS AROUND
927
00:41:40,414 --> 00:41:41,373
THAT WE ARE HERE.
928
00:41:41,624 --> 00:41:44,877
HUM? THE PEOPLE WHO WORK FOR US...
IT'S VERY CLOSE
929
00:41:44,960 --> 00:41:46,128
AND THEY ARE NOT GOING TO BETRAY US.
930
00:41:46,545 --> 00:41:47,379
YOU, QUIET.
931
00:41:49,173 --> 00:41:52,218
I DON'T ASK FOR MORE... HERE WE ARE, RIGHT?
932
00:41:52,968 --> 00:41:54,970
WHATEVER LIFE HAS TO HAVE.
933
00:41:56,096 --> 00:41:59,975
[melancholic music]
934
00:42:03,062 --> 00:42:06,565
- I ALREADY BEAT YOU.
- OH...! BUT DEEP THROAT.
935
00:42:06,649 --> 00:42:08,609
GIVE ME ANOTHER, ANOTHER...
936
00:42:08,692 --> 00:42:09,527
[Evelina] WHAT'S GOING ON?
937
00:42:11,070 --> 00:42:13,322
ARE WE GOING TO HAVE TO CHANGE
HOME AGAIN?
938
00:42:13,405 --> 00:42:14,949
DON'T ASK ME DUMMIES
939
00:42:15,032 --> 00:42:17,326
AND, RATHER, GO AND SEE
IF THE SOW PUT.
940
00:42:17,409 --> 00:42:19,745
- OH, TEE!
- [Violet] MY LOVE, WHAT HAPPENED? WHAT HAPPENED?
941
00:42:19,828 --> 00:42:20,746
- ARE YOU OK?
- [Violet] ARE YOU OKAY?
942
00:42:20,829 --> 00:42:22,581
THERE WAS AN EXPLOSION
943
00:42:22,706 --> 00:42:24,750
- [Evelina] WHAT?
- AND I'M HEARING ONE WHISTLE NO MORE.
944
00:42:24,833 --> 00:42:26,001
- [Evelina] WHAT?
- [Violet] A BEEP.
945
00:42:26,085 --> 00:42:27,878
- [Joaquín] WHAT?
- [Violet] COME, I HAVE SOME DROPS.
946
00:42:27,962 --> 00:42:29,380
- [Violet] OVER THERE.
- [Joaquín] THANK YOU.
947
00:42:32,466 --> 00:42:34,593
YOU FUCKED MY LIFE WITH THAT, BITCH.
948
00:42:35,636 --> 00:42:37,304
AND I'M GOING TO KEEP FUCKING YOU
949
00:42:37,596 --> 00:42:40,516
I'M GOING TO FUCK YOU UP COMPLETELY!
IF YOU DON'T GIVE ME THE PLEASURE
950
00:42:40,599 --> 00:42:42,643
OF KILLING YOUR DAMN MOTHER-IN-LAW, YOU BITCH.
951
00:42:43,227 --> 00:42:46,522
[cell ring]
952
00:42:46,897 --> 00:42:47,731
HELLO.
953
00:42:48,732 --> 00:42:50,734
TALK TO ME, TALK TO ME.
954
00:42:51,986 --> 00:42:52,820
WHICH BOAT?
955
00:42:53,529 --> 00:42:54,363
SHIP?
956
00:42:55,489 --> 00:42:59,326
AH, MR. VOLPI. YES, PUT IT IN,
PUT IT THERE TO CANCUN.
957
00:42:59,785 --> 00:43:01,954
ENTER IT, ENTER IT WITHOUT PROBLEMS.
I CANNOT ATTEND IT NOW
958
00:43:02,037 --> 00:43:03,372
BECAUSE I'M IN THE HALF OF A FART.
959
00:43:04,206 --> 00:43:06,750
AND NOW YOU CAN KNOW WHAT THE FUCK
DO YOU WANT TO GO THROUGH MY PORT?
960
00:43:06,834 --> 00:43:09,878
A LITTLE BOAT... A LOAD OF FENTANYL
961
00:43:10,004 --> 00:43:12,506
AND YOU ARE GOING TO LET HIM IN
NO PROBLEMS, BITCH.
962
00:43:13,173 --> 00:43:15,009
WITH FENTANYL THERE IS NO WAY.
963
00:43:15,843 --> 00:43:17,845
WHICH OF THE TWO THINGS
IT WAS NOT CLEAR...
964
00:43:18,262 --> 00:43:21,056
...THE BOAT OR THE MOTHER-IN-LAW, OH?
965
00:43:21,307 --> 00:43:23,976
[dramatic music]